Notices
Copying or reprinting this manual in part or in whole without permission is prohibited.
Product names, registered trademarks and company names in this document are the property of their respective companies. All trademarks and registered trademarks in this document are for identification purposes only and are not intended to infringe on the copyrights of their respective owners.
Proper display is not possible on grayscale devices.
Notes about this Operation Manual
You might need this manual in the future. Always keep it in a place where you can access it easily.
The contents of this document and the specifications of the product could be changed without notice.
The illustrations and display screens in this document could differ from the actual product.
Recording from copyrighted sources, including CDs, records, tapes, live performances, video works and broadcasts, without permission of the copyright holder for any purpose other than personal use is prohibited by law. Zoom Corporation will not assume any responsibility related to infringements of copyrights.
Trademarks
Microsoft and Windows are trademarks of the Microsoft group of companies.
iPadOS, Lightning and Mac are trademarks of Apple Inc.
IOS is a registered trademark or trademark of Cisco Systems, Inc. and associated companies in the USA and other countries and is used under license.
The microSDXC logo is a trademark of SD-3C LLC.
USB Type-C is a trademark of the USB Implementers Forum.
Terms used in this manual
Effect
A wide variety of effects can be applied to sounds, including distortion, chorus and reverb. By adjusting effect parameters, you can create your own original sounds.
Bounce
This is the process of combining audio data from multiple tracks or files into one stereo or mono file. The R4 is a 4-track multitrack recorder (MTR). By combining the audio already recorded on tracks 1–4 into a separate track called the bounce track, however, additional new recordings can be added. The bounce track can be layered repeatedly.
Project
The R4 manages recording and playback data in units called projects. The audio files assigned to tracks, panning and other settings, are saved in project files. Up to 1000 projects can be created on a single card.
Multitrack recorder (MTR)
A recorder that can record and play multiple tracks is called a multitrack recorder (MTR). The R4 can simultaneously record up to 2 tracks and simultaneously play up to 4 tracks.
R4 overview
The R4 is a compact 4-track MTR designed for musicians that enables musical ideas to be captured anytime anywhere. The bounce function enables repeat recording to capture more than 4 tracks using the 2 XLR/TS combo inputs, the built-in mic and the onboard effects. 32-bit float technology frees you from monitoring levels when recording and allows you to focus on the creative aspects of music production.
Achieving high audio quality throughout recording and editing
With the dual A/D converter circuits and support for 32-bit float WAV files, the R4 can maintain the highest audio quality from recording to editing in a DAW or other software.
Recording
Dual A/D converter circuits enable recording sounds from quiet to loud without making gain adjustments.
Editing in DAWs and other software
Since 32-bit float WAV file format is used for recording, the same audio quality is retained during editing.
Dual A/D converter circuit overview
For each input circuit, the R4 has two A/D converters with different input gains. This design enables high-quality audio recording without the need to adjust gain settings, a step that is normally indispensable.
Providing amazing dynamic range
By combining two A/D converters, a wide dynamic range not possible with a single A/D converter has been realized.
Switching between two A/D converters
The R4 constantly monitors data from the two A/D converters, and automatically selects the one that provides the best recording results.
32-bit float WAV file overview
32-bit float WAV files have the following advantages over conventional 16/24-bit WAV files. Thanks to these advantages, the sound quality during recording can be retained when editing afterward using a DAW or other software.
Resolution advantage
32-bit float WAV files have the advantage of being able to maintain high resolution even with quiet sounds. As a result, quiet sounds can be made louder when editing after recording without degrading their quality.
16/24-bit WAV
Volume raised | Resolution is low |
32-bit float WAV
Volume raised | Resolution is high |
Clipping advantage
If a waveform sounds clipped when output from the R4 or in a DAW, it can be edited after recording to lower its volume and restore an unclipped waveform because the data in the 32-bit float WAV file itself is not clipped.
16/24-bit WAV
Clipped recording | Volume lowered | Still clipped |
32-bit float WAV
Clipped recording | Volume lowered | Not clipped |
Functions of parts
Front and back
■ Front
■ Back
- Display
- This shows various types of information.
- TRACK/FUNCTION buttons
- Use these to operate the icon shown at the bottom edge of the display.
- Faders
- Use these to adjust track signal levels.
- INPUT button
- This opens the INPUT SELECT Screen.
- EFFECT button
- This opens the Effect Setting Screen.
- RHYTHM button
- This opens the Rhythm Screen.
- BOUNCE button
- Use this to combine (bounce) 4 tracks that have already been recorded in the BOUNCE track and clear tracks 1–4.
- UNDO button
- Restore recordings to the state just before the previous bounce.
- Search backward button
- Press briefly to move the playback position backward. Press continuously to move backward rapidly.
- Search forward button
- Press briefly to move the playback position forward. Press continuously to move forward rapidly.
- Stop button
- Press this to stop recording and playback.
Press when stopped to move the playback position to the file beginning.
Press and hold when stopped to show the Option Menu at the bottom of the display. (The option menu is shown while this is being pressed.)
- Play indicator
- This lights during playback.
- Play button
- This starts file playback.
- Recording indicator
- This lights during recording.
- Record button
- This starts recording.
- INPUT A/MIC (built-in) switch
Switched to INPUT A Sound from the device connected to the INPUT A jack will be input. Switched to MIC Sound from the built-in mic will be input. - Battery cover
- Open this when installing or removing AA batteries.
- Tripod mounting threads
- This can be used to attach the R4 to a tripod, for example. The diameter is 1/4 inch.
Left, right and front sides
■ Right side
■ Left side
- USB port (Type-C)
- Connect this to a computer, smartphone or tablet to transfer files or use as a USB audio interface. This supports operation on USB bus power.
- microSD card slot
- Insert a microSD card here.
- POWER button
- This turns the power on/off.
- Headphone/line out jack
- Connect headphones with a stereo mini plug here.
- VOLUME buttons
- Use these to adjust the volume output from the headphone/line out jack.
■ Front
- INPUT A jack
- Connect a mic or instrument here. This can be used with XLR and TS connectors.NOTE
The polarity assignments of the INPUT A and INPUT B jacks are as follows.
- Built-in mic
- Use this to record acoustic instruments and vocals.
- INPUT B jack
- Connect a mic or instrument here. This can be used with XLR and TS connectors.
Overview of screens that appear
Home Screen
This screen appears whenever the unit is started (except the first time). This screen is shown during ordinary playback and recording.
Option Menu Screen
Press and hold when the Home Screen is open to show this. When this is shown, press a button to use the corresponding function.
When is released, this will stop being shown at the bottom of the display.
Settings Screen
Press on the Option Menu Screen to open this.
Using menu screens
Menu screen operation example
In the following example, we explain the beginning of the procedures to switch USB connection mode.
Returning to the previous screen
Returning to the Home Screen
Recording process
This chart illustrates a flow of operations from turning on the R4 to completing recording.
For detailed procedures, see the explanation pages for each operation.
Return to the step with the above and repeat the procedures to record additional tracks as necessary. | ||
The following can also be done.
| ||
To re-record just one part… | Return to the step with the above and repeat the procedures to record additional tracks as necessary. | |
When tracks 1–4 are already used… | Return to the step with the above and repeat the procedures to record additional tracks as necessary. | |
Making preparations
An SD card is always necessary when recording.
Inserting microSD cards
Supplying power
The R4 can be operated using power from a power supply connected to the USB port (AC adapter, USB bus power or portable battery) or AA batteries.
A power supply connected to the USB port will be used instead of AA batteries when available.
Installing batteries
To power the R4 with batteries, install 4 AA batteries.
Use only one type of battery (alkaline, NiMH or lithium) at a time.
Set the type of battery used correctly so that the amount of remaining battery charge can be shown accurately. (→ Setting the type of batteries used)
If the batteries lose their charge, turn the power off immediately and install new batteries. The remaining battery charge is always shown (on most screens) when operating on battery power.
Connecting an AC adapter
Connect the cable of the specified AC adapter (AD-17) to the USB port (Type-C). Then, plug the AC adapter into an outlet.
Using other power supplies
The R4 can be operated using bus power from a computer connected to the USB port (Type-C). A 5V portable battery (commercially-available) can also be used for power.
Connecting input equipment
Connecting mics and guitars to INPUT A/B
Mics and guitars can be connected to the INPUT A and INPUT B jacks.
Connecting mics
Connect dynamic and condenser mics to the XLR plugs of INPUT A and INPUT B.
Phantom power can be supplied to condenser mics.
Connecting guitars and basses
Connect guitars and basses to the TS plugs of INPUT A and INPUT B.
Connect to the INPUT A jack to use the built-in effects of the R4 when recording.
Connecting synthesizers and other stereo output devices
When connecting a stereo output device, connect its L output jack to the INPUT A jack and its R jack to the INPUT B jack.
Two adjacent tracks can be stereo-linked. This enables two tracks to be handled as one stereo pair.(→Enabling stereo linking)
Connection example
Recording audio is possible in the following kinds of situations.
Overdubbing electric guitar, bass, vocals and other parts by one person
A rhythm track prepared and loaded in advance or one of the rhythm sounds included in the R4 can be played along with while recording guitar.
Recording acoustic guitar and vocals with two people and overdubbing chorus parts
By layering recordings, this can be utilized fully in small-scale music production.
Turning the power on/off
Turning the power on
Turning the power off
Setting up when first turned on
The first time the power is turned on after purchase, as well as after the R4 has been reset to factory defaults, the initial setting screens will open. Make the various settings.
Setting the date and time
The date and time are included in recording files.
Setting the type of batteries used
Select the type of battery used in the R4 so that the amount of remaining battery charge can be shown accurately.
Using the tuner
Using the tuner function, you can tune guitars and other instruments.
Tuner type options
Display | Explanation | String number/note | ||||||
---|---|---|---|---|---|---|---|---|
7 | 6 | 5 | 4 | 3 | 2 | 1 | ||
Chromatic | The name of the nearest note (in semitones) and the amount of detuning are shown. | – | – | – | – | – | – | – |
Guitar | Standard guitar tuning with a 7th string | B | E | A | D | G | B | E |
Bass | Standard bass guitar tuning with a 5th string | – | – | B | E | A | D | G |
Open A | Open A tuning (open strings play A chord) | – | E | A | E | A | C# | E |
Open D | Open D tuning (open strings play D chord) | – | D | A | D | F# | A | D |
Open E | Open E tuning (open strings play E chord) | – | E | B | E | G# | B | E |
Open G | Open G tuning (open strings play G chord) | – | D | G | D | G | B | D |
DADGAD | Alternate tuning often used for tapping and other techniques | – | D | A | D | G | A | D |
Setting the rhythm (pattern/click)
A pattern, click or other sound can be played as a guideline to make keeping time easier when recording an instrument or during playback.
Rhythm pattern types
Number | Pattern name | Time signature | Number | Pattern name | Time signature | Number | Pattern name | Time signature |
---|---|---|---|---|---|---|---|---|
1 | GUIDE | 4/4 | 29 | R&B2 | 4/4 | 57 | Cajon1 | 4/4 |
2 | Click 4/4 | 4/4 | 30 | 70's Soul | 4/4 | 58 | Cajon2 | 4/4 |
3 | Click 3/4 | 3/4 | 31 | 90s Soul | 4/4 | 59 | Cajon3 | 4/4 |
4 | Click 5/4 | 5/4 | 32 | Motown | 4/4 | 60 | Bossa1 | 4/4 |
5 | Click 1/4 | 1/4 | 33 | HipHop | 4/4 | 61 | Bossa2 | 4/4 |
6 | 8Beats1 | 4/4 | 34 | Disco | 4/4 | 62 | Samba1 | 4/4 |
7 | 8Beats2 | 4/4 | 35 | Pop | 4/4 | 63 | Samba2 | 4/4 |
8 | 8Beats3 | 4/4 | 36 | PopRock | 4/4 | 64 | Salsa1 | 4/4 |
9 | 16Beats1 | 4/4 | 37 | IndiePop | 4/4 | 65 | Salsa2 | 4/4 |
10 | 16Beats2 | 4/4 | 38 | EuroPop | 4/4 | 66 | CubaGrv1 | 4/4 |
11 | 16Beats3 | 4/4 | 39 | NewWave | 4/4 | 67 | CubaGrv2 | 4/4 |
12 | Rock1 | 4/4 | 40 | OneDrop | 4/4 | 68 | Djembe1 | 4/4 |
13 | Rock2 | 4/4 | 41 | Steppers | 4/4 | 69 | Djembe2 | 4/4 |
14 | Rock3 | 4/4 | 42 | Rockers | 4/4 | 70 | Breaks1 | 4/4 |
15 | ROCABLY | 4/4 | 43 | Ska | 4/4 | 71 | Breaks2 | 4/4 |
16 | R'n'R | 4/4 | 44 | 2nd Line | 4/4 | 72 | Breaks3 | 4/4 |
17 | HardRock | 4/4 | 45 | Country | 4/4 | 73 | House | 4/4 |
18 | HeavyMtl | 4/4 | 46 | Shuffle1 | 4/4 | 74 | Techno1 | 4/4 |
19 | MtlCore | 4/4 | 47 | Shuffle2 | 4/4 | 75 | Techno2 | 4/4 |
20 | Punk | 4/4 | 48 | Blues1 | 4/4 | 76 | DanceHall | 4/4 |
21 | FastPunk | 4/4 | 49 | Blues2 | 4/4 | 77 | 12/8 Grv | 12/8 |
22 | Emo | 4/4 | 50 | Jazz1 | 4/4 | 78 | Waltz | 3/4 |
23 | TomTomBt | 4/4 | 51 | Jazz2 | 4/4 | 79 | JazWaltz1 | 3/4 |
24 | Funk1 | 4/4 | 52 | NuJazz1 | 4/4 | 80 | JazWaltz2 | 3/4 |
25 | Funk2 | 4/4 | 53 | NuJazz2 | 4/4 | 81 | CtWalz1 | 3/4 |
26 | FunkRock | 4/4 | 54 | Fusion | 4/4 | 82 | CtWalz2 | 3/4 |
27 | JazzFunk | 4/4 | 55 | Swing1 | 4/4 | 83 | 5/4 Grv | 5/4 |
28 | R&B1 | 4/4 | 56 | Swing2 | 4/4 |
Recording
Opening projects
Creating new projects
After creating a project, its name can be changed and files can be assigned to its tracks. (→ Managing projects)
Opening existing projects
Making input settings
Connecting input equipment
Connect mics and guitars, for example.
The R4 supports Hi-Z input. Guitars, for example, can be connected directly.
Selecting tracks for recording
The tracks that record INPUT A and INPUT B can be assigned.
Input Select Screen
- Current status of each track
- The colors show the current status of each track.
Track that is currently recording or in recording standby
Empty track
Track that has previously recorded audio
- Input assigned to each track
- INPUT A is assigned to track 1, and INPUT B is assigned to track 2 in the example above.
Monitoring input/playback sounds
Enabling stereo linking
Two adjacent tracks can be stereo-linked. This enables two tracks to be handled as one stereo pair.
Stereo links can only be set for track pairs 1/2 and 3/4.
Stereo-linked tracks have the following characteristics.
Odd-numbered tracks are assigned to the L channel while even-numbered tracks are assigned to the R channel, and the PAN setting is disabled.
The fader of the odd-numbered track adjusts the volume. The fader of the even-numbered track has no effect.
The following parameters are linked.
Fader, EQ (High/Middle/Low), Echo, Reverb
Even if stereo-linked tracks are recorded, the recording data for each track will be saved as mono files.
In the following example, we explain how to stereo-link tracks 1 and 2.
The stereo-linking setting cannot be changed during recording or playback.
Making track settings
The equalizer, left-right balance and effects can be set for each track.
These track settings do not affect the recorded data itself. They are applied to the sound when it is played back. However, these effects are applied when tracks are bounced. (For details about the bounce function, see “Combining recorded tracks in a bounce track (bouncing)”.)
Equalizer setting values
High
This adjusts the boost/cut of high-frequency equalization.
Type: shelving
Gain range: −15 dB – +15 dB
Frequency: 10 kHz
Middle
This adjusts the boost/cut of mid-frequency equalization.
Type: peaking
Gain range: −15 dB – +15 dB
Frequency: 2.5 kHz
Low
This adjusts the boost/cut of low-frequency equalization.
Type: shelving
Gain range: −15 dB – +15 dB
Frequency: 100 Hz
Starting and stopping recording
Bouncing/exporting is not possible if a track exceeds a maximum recording time of 93 minutes.
Partially re-recording (punch-in recording)
Punching in/out is a function that can be used to rerecord parts of already recorded tracks. "Punching in" is switching track status from playback to recording. "Punching out" is switching track status from recording to playback.
Pressing during playback will start re-recording from that position.
Combining recorded tracks in a bounce track (bouncing)
“Bouncing” is a function for mixing multiple tracks and recording them to another track called a “bounce track”.
The maximum number of bounces is 99.
If bouncing is conducted when rhythm pattern playback is enabled, the rhythm pattern will also be mixed into the bounce track.
Bouncing is not possible if a track exceeds a maximum recording time of 93 minutes.
Using effects
The R4 includes effects that are equivalent to those in ZOOM multi-effects products. A variety of effects can be combined and used on sounds.
The R4 has two main effect types.
Display | Effect type | Sound affected |
---|---|---|
INPUT A/MIC Effect | Insert effect |
|
Echo/Reverb | Send effect |
|
Illustration of these two effect types
Using insert effects
Effects can be set for use on INPUT A or the built-in mic during recording. Two effects can be chosen from dozens of types and their parameters can be adjusted. Settings and adjusted effects are saved with each project.
Insert effects are applied to the input selected with the INPUT A/MIC (built-in) switch.
Setting effects
Using send effects
The two types of effects that can be used as send effects are Echo and Reverb.
Adjusting the amount of Echo/Reverb
Adjusting Echo/Reverb parameters
Playing recordings
Starting and stopping playback
Other playback operations
Button | Brief press | While pressing continuously |
---|---|---|
The playback position will move backward. | Search backward | |
The playback position will move forward. | Search forward |
Managing projects
Projects created on the R4 are saved on the microSD card.
The names of projects saved on microSD cards can be changed. These projects can also be copied and deleted.
Folder and file structure on microSD cards
When recording with the R4, folders and files are created on microSD cards in the following manner.
- Exported audio file, WAV file for loading
- Save audio files that you want to load on the R4 anywhere outside the R4_Project folder.
Exported audio files are saved in the Root folder as explained in “Exporting projects as audio files”.
- Project folders
- These contain project recording data and settings.
Folders are created with names from “yyyymmdd_001” to “yyyymmdd_999”.
- Audio files recorded for each track
- Audio files are created with names as follows.
① Track number
② Number of recording after bouncing or removing the assigned file
Example: After recording track 4, bouncing and then recording again, the file name would be “TRACK4_02.WAV”.
- Project file
- Project specific settings are saved in this file.
Opening the Project Menu
Manage projects on the Project Menu Screen.
Changing project names
Duplicating projects
Deleting projects
Assigning files to tracks
Recording files of existing projects and audio files saved on the microSD card can be assigned to a project. If you have received only audio files, for example, you can load them into an R4 project and continue production work.
Exporting projects as audio files
Projects can be exported as audio files. Exported audio files are saved in the root directory of the microSD card.
The following settings can be selected for exported files.
File format: WAV, MP3
Bit depth: 16-bit, 24-bit, 32-bit float
Normalization: Off, On
If exporting is conducted when rhythm pattern playback is enabled, the rhythm pattern will also be mixed into the audio file.
Exporting is not possible if a track exceeds a maximum recording time of 93 minutes.
Deleting files
Audio files that are not needed can be deleted.
Using as an audio interface
Signals input through the R4 can be sent to a computer, smartphone or tablet, and signals played from these devices can be output from the R4.
No drivers are necessary for use with smartphones, tablets and Mac computers.
A driver is necessary for use with Windows.
For Windows
Connecting computers, smartphones and tablets
Making mix settings for input audio
The USB audio signal routing can be set.
Setting direct monitoring
This directly outputs the sound being input to the R4 before sending it to the computer, smartphone or tablet. This enables monitoring without latency.
Set this to “On” to enable the direct monitoring function.
Setting the bit depth
The bit depth used to send audio to a computer, smartphone or tablet can be set when this is used as an audio interface. 24-bit or 32-bit float can be selected.
Disconnecting from computers, smartphones and tablets
Transferring files to computers and other devices
When the R4 is connected to a computer, smartphone or tablet, files on the microSD card can be checked and moved.
Connecting computers, smartphones and tablets
Disconnecting from computers, smartphones and tablets
Managing microSD cards
Checking microSD card information
The open space on microSD cards can be checked.
Formatting microSD cards
To maximize the performance of a microSD card, use the R4 to format it.
If writing to the microSD card becomes slow and errors occur, backing up its data to a computer, for example, and formatting the card might improve performance.
Be aware that all data on the microSD card will be deleted when it is formatted.
Testing microSD cards
The writing speed of a microSD card can be tested to confirm performance has no issues when saving data recorded by the R4.
A Quick Test can be done in a short amount of time, while a Full Test examines the entire microSD card.
Making various settings
Setting the date and time
Use this to set the date and time added to recording files.
Setting the type of batteries used
Select the correct type of battery used in the R4 so that the amount of remaining battery charge can be accurately shown.
Setting display power saving
In order to prevent power consumption when using batteries, the display backlight can be set to dim when no operation is conducted for a set amount of time. This is on by default.
Setting the display brightness
The brightness of the display can be adjusted.
Setting the function that automatically turns the power off
The R4 can be set to automatically turn off if it is not used for a specific amount of time. This is on by default.
To keep the power on at all times, turn off the automatic power saving function.
Restoring factory default settings
The settings of the R4 can be restored to their factory defaults.
Managing the firmware
Checking the firmware versions
The firmware versions used by the R4 can be checked.
Updating the firmware
The R4 firmware can be updated to the latest versions.
Files for the latest firmware updates can be downloaded from the ZOOM website (zoomcorp.com).
Follow the instructions in the “R4 Firmware Update Guide” on the R4 download page.
Checking the latest information about the R4
A 2D code for help related to the R4 can be shown on its display.
Appendix
Troubleshooting
If you think that the R4 is operating strangely, check the following items first.
Recording/playback trouble
There is no sound or output is very quiet
Check the orientation of the mic or the volume settings of the connected equipment.
Check the headphone connection. (→ Left, right and front sides)
Confirm that the headphone volume is not lowered. (→ Monitoring input/playback sounds)
Confirm that the channel faders are not too low. (→ Front and back)
Check the R4 input source settings. (→ Making input settings)
Check phantom power settings. (→ Selecting tracks for recording)
Confirm that the INPUT A/MIC (built-in) switch is set as intended. (→ Front and back)
Confirm that the level meters are rising above a certain level. (→ Home Screen)
Built-in mic sound is distorted
The level of the sound being input through the mic is too high. Move the R4 built-in mic and the sound source further apart.
INPUT A/B sound is distorted
Adjust the volume of the connected device, and confirm that the R4 input source setting is correct. (→ Making input settings)
Recording is not possible
Confirm that the INPUT A/MIC (built-in) switch is set as intended. (→ Front and back)
Confirm that the connected device is connected correctly. (→ Connecting mics and guitars to INPUT A/B)
Check recording track settings. (→ Making input settings)
Confirm that the microSD card has open space. (→ Checking microSD card information)
Confirm that a microSD card is loaded properly in the card slot.
Confirm that the microSD card has no problems and can be used with the R4. (→ Testing microSD cards)
The recorded sound breaks up
Use the R4 to format the microSD card. (→ Formatting microSD cards)
Confirm that the microSD card has no problems and can be used with the R4. (→ Testing microSD cards)
We recommend using microSD cards that have been confirmed to operate with this recorder. See the ZOOM website (zoomcorp.com) for information about microSD cards that have been confirmed to work with this unit.
Recorded sound cannot be heard or is very quiet
Confirm that the track faders are not too low. (→ Front and back)
Cannot use tuner
Confirm that the INPUT A/MIC (built-in) switch is set as intended. (→ Front and back)
Other trouble
The recorder is not recognized by a computer, smartphone or tablet connected using the USB port.
Use a USB cable that supports data transfer.
The operation mode must be set on the R4 to allow the computer, smartphone or tablet to recognize it. (→ Connecting computers, smartphones and tablets, Transferring files to computers and other devices)
During use as an audio interface, if the bit depth is set to 32-bit float format, confirm that the computer, smartphone or tablet and the app support 32-bit float format.
Even if “ZOOM R4” cannot be selected in the computer Sound settings, the R4 can be used as a 32-bit float audio interface if it is selected as an audio or input/output device in an app that supports 32-bit float format.
A dedicated driver is necessary to use 32-bit float format with Windows. Download the driver from the ZOOM website (zoomcorp.com).
Battery operation time is short
Making the following settings could increase the battery operation time.
Correctly set the type of batteries used. (→ Setting the type of batteries used)
Turn off unused inputs. Stop phantom power supply to unused inputs. (→ Making input settings)
Set the display to dim when no operation is conducted for a certain amount of time. (→ Setting display power saving)
Reduce the display brightness. (→ Setting the display brightness)
Due to their characteristics, using rechargeable nickel metal hydride batteries (especially high-capacity ones) or lithium batteries should enable longer use than alkaline batteries when power consumption is high.
Date and time are frequently reset
If power is not supplied by an AC adapter or batteries for some time, date and time settings will be reset. If the Date/Time Setting Screen appears during startup, set them again. (→ Setting the date and time)
Block diagram
Specifications
Input and output channels | Inputs | Built-in mic (mono) | 1 |
XLR/TS inputs (mono) | 2 | ||
Output | Headphones | 1 | |
Inputs | XLR/TS inputs | Connectors | 2 XLR/TS combo jacks (Balanced, XLR: 2 HOT) |
Input gain | No adjustment required (dual A/D converter circuit used) | ||
Input impedance | XLR: 2.3 kΩ TS: 1 MΩ | ||
Maximum input level | XLR: +4 dBu TS: +10 dBu | ||
Phantom power | +48 V (switchable separately for INPUTS A and B) | ||
Equivalent input noise | XLR: −120 dBu or less (IHF-A) TS: −107 dBu or less (IHF-A) | ||
Frequency response | XLR: −0.5/+0.0 dB, 20 Hz – 20 kHz TS: −0.2/+0.0 dB, 20 Hz – 20 kHz | ||
Built-in mic input | Directionality | Omnidirectional | |
Input gain | No adjustment required (dual A/D converter circuit used) | ||
Maximum sound pressure input | 115 dB SPL | ||
Output | Headphones | Connector | 1 stereo 3.5mm mini jack |
Output impedance | 10 Ω | ||
Maximum output level | 20 mW + 20 mW (into 32Ω load) | ||
Recorder | Maximum simultaneous recording tracks | 2 | |
Recording format | WAV: 48kHz, 32-bit float, mono | ||
Recording media | Cards compatible with microSDHC specifications 4 GB – 32 GB Cards compatible with microSDXC specifications 64 GB – 1 TB | ||
Display | 2" full-color LCD (240 × 320) | ||
USB | Connector | USB Type-C Note: Use a USB cable that supports data transfer. USB bus power is supported. | |
Audio interface function | Class | USB 2.0 High Speed | |
Sampling frequency | 48 kHz | ||
Bit Rate | 24-bit or 32-bit float | ||
Input/output channels | 2 in/2 out | ||
Mass storage function | USB 2.0 High Speed | ||
Power supply | Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH) AC adapter: ZOOM AD-17 (5V/1.0A) • USB bus power is supported. | ||
Estimated continuous operation time using batteries | Recording 1 track, playing 1 track, phantom power off, headphones into 32Ω load, power saving on | Alkaline batteries: about 7 hours NiMH batteries (1900 mAh): about 6 hours Lithium batteries: about 14 hours • The above values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. | |
Power consumption | 5 W | ||
External dimensions | 74 mm (W) × 138 mm (D) × 36 mm (H) | ||
Weight (including batteries) | 287 g |
Note: 0 dBu = 0.775 Vrms