Effect List
Preset Ver. 1.00
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Dynamics
| Type Name | Description | |
|---|---|---|
 | Zoom Noise Reduction | This is ZOOM's unique noise reduction, which cuts noise during pauses in playing without affecting the tone. |
 | Noise Gate | This is a noise gate that cuts the sound during playing pauses. |
 | Comp | This compressor is in the style of the MXR Dyna Comp. |
 | Rack Comp | This compressor allows more detailed adjustment than Comp. |
 | Gray Comp | This models the sound of the ROSS Compressor. Added parameters allow you to adjust the tone. |
 | Optical Comp | This is an optical compressor. |
 | Black Optical Comp | This models the sound of the Demeter COMP-1 Compulator. Added parameters allow you to adjust the tone. |
 | 1176 Limiter | This models the sound of the UREI 1176LN. |
 | Slow Attack | This effect slows the attack of each note, resulting in a violin-like performance. |
 | Mute Switch | This effect allows you to mute the volume using the foot switch. |
Filter
| Type Name | Description | |
|---|---|---|
 | Auto Wah | This effect varies wah in accordance with picking intensity. |
 | Resonance Filter | This effect varies the resonance filter frequency according to picking intensity. |
 | Low-Pass Filter | This effect varies the low pass filter frequency according to picking intensity. |
 | Cry Filter | This effect varies the sound like a talking modulator. |
 | LFO Filter | This filter effect changes tone characteristics cyclically. |
 | Sequence Filter | This sequence filter has the flavor of the Z.Vex Seek-Wah. |
 | Random Filter | This filter effect changes character randomly. |
 | Step Filter | This special effect gives the sound a stepped quality. |
 | Guitar GEQ | This mono graphic equalizer has 6 bands that suit guitar frequencies. |
 | Guitar GEQ7 | This mono graphic equalizer has 7 bands that suit guitar frequencies. |
 | Stereo Guitar GEQ | This stereo graphic equalizer has 6 bands that suit guitar frequencies. |
 | Parametric EQ | This is a mono 1-band parametric equalizer. |
 | Exciter | This exciter enables flexible control. |
 | Low EQ | This equalizer is designed for low frequencies and allows you to select the type. |
 | High EQ | This equalizer is designed for high frequencies and allows you to select the type. |
Drive
| Type Name | Description | |
|---|---|---|
 | EP Drive | This effect models the sound of the Maestro Echoplex preamp. |
 | RC Drive | This booster covers sounds ranging from clean boosts to light drives. |
 | TS Drive | This effect models the sound of the Ibanez TS808. |
 | Gold Drive | This effect models the sound of a famous gold overdrive boutique pedal. |
 | Sweet Drive | This effect models the sound of a sweet-sounding overdrive. |
 | Zen O.Drive | This models the sound of the Hermida Audio Zendrive. |
 | BG Grid | This models the sound of the Mesa Boogie GRID SLAMMER. An added parameter allows you to adjust the balance of original sound and overdrive. |
 | Dynamic Drive | This effect easily achieves the warm drive tone of a tube amp. |
 | Plus Distortion | This models the sound of the MXR DISTORTION+. |
 | Distortion One | This models the sound of the BOSS DS-1 DISTORTION. |
 | Squeak | This models the sound of the ProCo RAT. A parameter has been added that allows you to adjust the mix level of the original sound. |
 | Red Crunch | This effect produces the famous "brown sound." |
 | Violet Distortion | This models the sound of the SUHR Riot Reloaded. |
 | TB MK1.5 | This is a classic fuzz effect. |
 | Octave Fuzz | This fuzz effect adds an octave above. |
 | New York Muff | This models the sound of the Electro-Harmonix Big Muff Pi. An added parameter allows you to adjust the balance of original sound and distortion. |
 | Wave Shaper | This effect is another new kind of distortion effect that applies a new original algorithm to shape the waveform and create a unique sound. |
 | Razor Drive | This effect is a new-concept distortion effect that uses comb filtering to control the distortion. |
 | Metal World | This models the sound of the BOSS Metal Zone, which is characterized by long sustain and a powerful lower midrange. |
 | HG Throttle | This models the sound of the Mesa Boogie THROTTLE BOX. |
 | TS+Boost | This effect combines TS Drive and Booster. |
 | Red Crunch+Boost | This effect combines Red Crunch and Booster. |
 | Spot Booster | This booster enables flexible control. |
 | Up Octave Booster | This effect adds an upper octave to the original sound. We recommend using the front guitar pickup. |
 | Output Booster | This effect is an improved version of the ZOOM G5n OUTPUT BOOSTER. |
 | Acoustic Simulator | This effect changes the tone of an electric guitar to make it sound like an acoustic guitar. |
Drive - DNA
| Type Name | Description | |
|---|---|---|
 | Super Drive One | This is the DNA sound of the BOSS SD-1. |
 | TS Drive | This is the DNA sound of the Ibanez TS808. |
 | Gold Drive | This is the DNA sound of a famous gold overdrive boutique pedal. |
 | Ray Drive | This is the DNA sound of the Vemuram Jan Ray. |
 | Glory Drive v4 LG | This is the DNA sound of the JHS Morning Glory V4 with the Lo Gain setting. |
 | FL Drive 2 CC | This is the DNA sound of a drive pedal known for its warm, fat sound. |
 | Blue Drive 2 | This is the DNA sound of the BOSS BD-2. |
 | BB Drive | This is the DNA sound of the Xotic BB Preamp. |
 | Novel ODS | This is the DNA sound of the Nobels ODR-S. |
 | Civil Muff v2 | This is the DNA sound of the Electro-Harmonix Big Muff “Civil War” (V2). |
Amp Head
| Type Name | Description | |
|---|---|---|
 | MS 45OS | This models the sound of the Marshall JTM 45 Offset. |
 | MS 1959 | This models the sound of the Marshall 1959 SUPER LEAD 100. |
 | MS 800 | This models the sound of the Marshall JCM800 2203. |
 | FD B-Man | This models the sound of the Fender '59 Bassman. |
 | FD Twin-R | This models the sound of the Fender '65 Twin Reverb. |
 | FD Deluxe-R | This models the sound of the Fender '65 Deluxe Reverb. |
 | FD Master | This models the sound of the Fender ToneMaster B channel. |
 | UK 30A | This models the sound of an early class A British combo amp. |
 | BG Mark1 | This models the sound of the Mesa Boogie Mark I combo amp. |
 | BG Mark3 | This models the sound of the Mesa Boogie Mark III combo amp. |
 | Recti Dual | This models the sound of the Mesa Boogie Dual Rectifier Orange Channel. |
 | Xtasyblue | This models the sound of the Bogner Ecstasy Blue channel. |
 | HW 100 | This models the sound of the Hiwatt Custom 100. |
 | ORG 120 | This models the sound of the Orange Graphic120. |
 | DZ Herb | This models the sound of the Diezel Herbert Channel2. |
 | Match 30 | This models the sound of the Matchless DC-30. |
 | Krampus | This is an original amp that combines the solid low range of a modern high gain amplifier with the brightness of an 80's British amplifier. |
 | Redloom | This is an original amp that merges the simple tone of the early days of guitar amps with the rich overtones of a 60's small tube amp. Ideal for playing rhythm. |
 | Velvet | This is an original amp that balances the dynamic response between the wound and plain strings, enabling you to play both lead and backing without switching tones. |
 | Muddy | This is a vintage style original amp that delivers a natural crunch sound. Perfect for blues and rock. |
 | 7 Heaven | This is an original amp that combines a picking-responsive dynamic response with a very tight low end. Using 7- and 8-string guitars, you can expect a very powerful metal sound. |
 | Pollex | This is an original amp that delivers a heavy-metal Djent style of sound when combined with extreme drop-tuning. Recommended for slap-playing as well. |
Amp Head - DNA
| Type Name | Description | |
|---|---|---|
 | MS 1959 In1 | This is the DNA sound of the Marshall 1959 SUPER LEAD 100 Input1. |
 | MS 800 | This is the DNA sound of the Marshall JCM800 2203. |
 | FD Deluxe-R Vib | This is the DNA sound of the Fender '65 Deluxe Reverb Vibrato Channel. |
 | UK 30A | This is the DNA sound of an early class A British combo amp. |
 | JZ 120 Ch1 | This is the DNA sound of the Roland JC-120 Channel 1. |
 | FRD 100DX HBE | This is the DNA sound of the Friedman BE-100 Deluxe HBE Channel. |
 | Tone City 50 | This is the DNA sound of the Sound City 50 Plus Mark2 Brilliant Channel. |
 | H&K Mark2 Ch2 | This is the DNA sound of the Hughes & Kettner TRIAMP MkII AMP2 Channel B. |
 | PVY 5i5 | This is the DNA sound of the Peavey 5150 Lead Channel. |
 | DZ Herb Ch3 | This is the DNA sound of the Diezel Herbert Channel 3. |
Cabinet
| Type Name | Description | |
|---|---|---|
 | MS 45OS 4x12 | This models the sound of the Marshall JTM45 offset half stack cabinet with four 12" Celestion G12 Alnico speakers. |
 | MS 1959 4x12 | This models the sound of the Marshall 1960 B-type cabinet with four 12" Celestion G12M GreenBack speakers. |
 | MS 800 4x12 | This models the sound of the Marshall 1960 A-type cabinet with four 12" Celestion speakers. |
 | FD B-Man 4x10 | This models the sound of the Fender '59 Bassman cabinet with four 10" Jensen speakers. |
 | FD Twin-R 2x12 | This models the sound of the Fender '65 Twin Reverb cabinet with two 12" Jensen speakers. |
 | FD Deluxe-R 1x12 | This models the sound of the Fender '65 Deluxe Reverb cabinet with one 12" Jensen C-12K speaker. |
 | FD Master 2x12 | This models the sound of the Fender ToneMaster2x12 cabinet with two 12" Celestion G12-80 speakers. |
 | UK 30A 2x12 | This models the sound of the cabinet of an early class A British combo amp with two 12" Celestion Alnico speakers. |
 | BG Mark1 1x12 | This models the sound of the Mesa Boogie Mark I cabinet with one 12" ALTEC 417-8H speaker. |
 | BG Mark3 1x12 | This models the sound of the Mesa Boogie Mark III cabinet with one 12" Celestion Black Shadow speaker. |
 | Recti Dual 4x12 | This models the sound of the Mesa Boogie Recto Standard Slant Cabinet ARMOR with four 12" Celestion Vintage 30 speakers. |
 | Xtasyblue 4x12 | This models the sound of the Bogner Ecstasy cabinet with four 12" Celestion speakers. |
 | HW 100 4x12 | This models the sound of the Hiwatt SE-4123 cabinet with four 12" Fane speakers. |
 | ORG 120 4x12 | This models the sound of the Orange PPC412 cabinet with four 12" Celestion Vintage 30 speakers. |
 | DZ Herb 4x12 | This models the sound of the Diezel 412F cabinet with four 12" Celestion Vintage 30 speakers. |
 | Match 30 2x12 | This models the sound of the Matchless DC-30 cabinet with 12" Customized Celestion G12H30 and 12" Celestion G12M Greenback speakers. |
 | Krampus 4x12 | This is the KRAMPUS cabinet with four 12" speakers. |
 | Redloom 4x10 | This is the REDLOOM cabinet with four 10" speakers. |
 | Velvet 4x12 | This is the VELVET cabinet with four 12" speakers. |
 | Muddy 1x12 | This is the MUDDY cabinet with one 12" speaker. |
 | 7 Heaven 4x12 | This is the 7 HEAVEN cabinet with four 12" speakers. |
 | Pollex 4x12 | This is the POLLEX cabinet with four 12" speakers. |
Amp+Cabinet - DNA
| Type Name | Description | |
|---|---|---|
 | MS 1959 In1 | This is the DNA sound of the Marshall 1959 SUPER LEAD 100 Input1. |
 | MS 800 | This is the DNA sound of the Marshall JCM800 2203. |
 | FD Deluxe-R Vib | This is the DNA sound of the Fender '65 Deluxe Reverb Vibrato Channel. |
 | UK 30A | This is the DNA sound of an early class A British combo amp. |
 | JZ 120 Ch1 | This is the DNA sound of the Roland JC-120 Channel 1. |
 | FRD 100DX HBE | This is the DNA sound of the Friedman BE-100 Deluxe HBE Channel. |
 | Tone City 50 | This is the DNA sound of the Sound City 50 Plus Mark2 Brilliant Channel. |
 | H&K Mark2 Ch2 | This is the DNA sound of the Hughes & Kettner TRIAMP MkII AMP2 Channel B. |
 | PVY 5i5 | This is the DNA sound of the Peavey 5150 Lead Channel. |
 | DZ Herb Ch3 | This is the DNA sound of the Diezel Herbert Channel 3. |
Modulation
| Type Name | Description | |
|---|---|---|
 | Chorus | This effect mixes a shifted pitch with the original sound to add movement and thickness. |
 | Clone Chorus | This analog chorus models the sound of the Electro-Harmonix SmallClone. |
 | Chorus One | This models the sound of the BOSS CH-1 SUPER CHORUS. |
 | Tri Chorus | This chorus models the sound of the tc electronic CORONA Tri-Chorus. |
 | Analog Chorus | This effect simulates an analog chorus. |
 | Stereo Chorus | This is a stereo chorus with a clear tone. |
 | Bend Chorus | This effect provides pitch bending that uses the input signal as trigger and processes each note separately. |
 | Detune | This effect type mixes an effect sound that is slightly pitch-shifted with the original sound, giving a chorus effect without much sense of modulation. |
 | Tremolo | This effect varies the volume at a regular rate. |
 | Phaser | This effect adds a phasing variation to the sound. |
 | Stone Phaser | This phaser models the sound of the Electro-Harmonix SmallStone. |
 | Warp Phaser | This phaser has a one-way effect. |
 | Duo Phaser | This effect combines two phasers. |
 | The Vibe | This vibe sound features unique undulations. |
 | Vintage Flanger | This analog flanger sound is similar to the MXR M-117R. |
 | Kick Flanger | This flanger is controlled using the foot switch. |
 | Vibrato | This effect automatically adds vibrato. |
 | Swell Vibrato | This effect modulates the pitch after picking. |
 | Octaver | This effect adds sound one octave and two octaves below the original sound. |
 | Pitch Shifter | This effect shifts the pitch up or down. |
 | Mono Pitch Shifter | This is a pitch shifter with little sound variance for monophonic (single note) playing. |
 | Harmony Pitch Shifter | This intelligent pitch shifter outputs the effect sound with the pitch shifted according to scale and key settings. |
 | Poly Pitch Shifter | This pitch shifter supports chord playing. |
 | Geminos Doubler | This effect allows you to obtain double tracking in real time. |
 | Ring Modulator | This effect produces a metallic ringing sound. Adjusting the "FREQ" parameter results in a drastic change of sound character. |
 | Slicer | This effect creates a rhythmical sound by continuously slicing the input. |
SFX
| Type Name | Description | |
|---|---|---|
 | Auto Pan | This effect moves the sound image cyclically left and right. |
 | Loop Roll | This effect allows you to use the footswitch to sample and hold what you play. |
 | Sitar Simulator | This effect simulates a sitar tone. |
 | Bomber | This effect generates explosive sounds. |
Delay
| Type Name | Description | |
|---|---|---|
 | Delay | This long delay has a maximum length of 4000 ms. |
 | Analog Delay | This analog delay simulation has a long delay with a maximum length of 4000 ms. |
 | Tape Echo | This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of the echoes. |
 | Tape Echo 3 | This tape echo effect models the sound of the MAESTRO ECHOPLEX EP-3. |
 | Dual Delay | This effect allows you to combine two independent delays. |
 | Soft Echo | This echo has a soft tone. This echo effect allows the use of modulation. |
 | Slap Back Delay | This delay features a short delay time that is good for muted rhythm playing and rockabilly. |
 | Ping Pong Delay | This delay outputs the delay sound alternately left and right. |
 | Reverse Delay | This reverse delay is a long delay with a maximum length of 2000 ms. |
 | Modulation Delay | This delay effect allows the use of modulation. |
 | Filter Delay | This effect filters a delayed sound. |
 | Pitch Delay | This effect applies pitch shift to a delayed sound. |
 | Phase Delay | This effect applies a phaser to a delayed sound. |
 | Auto Pan Delay | This combines auto pan and delay to create the effect of the stereo image moving cyclically. |
 | Slow Attack Delay | This effect combines slow attack and delay. |
 | Ice Delay | This effect combines pitch shifting and delay. |
 | Hold Delay | This hold delay effect is controlled using the foot switch. When you press the foot switch, the effect turns on, and when you release it, the effect sound is held. |
Reverb
| Type Name | Description | |
|---|---|---|
 | Room | This reverb effect simulates the acoustics of a room. |
 | Bright Room | This room reverb simulation can provide bright reverberations. |
 | Spring | This reverb effect simulates a spring reverb. |
 | FD Spring | This simulates the spring reverb of the '65 Fender Twin Reverb. |
 | Plate | This simulates a plate reverb. |
 | Hall | This reverb effect simulates the acoustics of a concert hall. |
 | Bright Hall | This hall reverb simulation can provide bright reverberations. |
 | HD Hall | This is a dense hall reverb. |
 | Church | This effect simulates the reverberations of a church. |
 | Ambience | This effect adds a natural ambience (air) to the sound. |
 | Chamber | This effect simulates the reverberations of a chamber-sized room. |
 | Air | This effect reproduces the ambience of a room, to create spatial depth. |
 | Early Reflection | This effect reproduces only the early reflections of reverb. |
 | Gate Reverb | This unique reverb is good for percussive playing. |
 | Hold Reverb | This hold reverb effect is controlled using the foot switch. When you press the foot switch, the effect turns on, and when you release it, the effect sound is held. |
 | Space Hole | This effect combines delay and reverb. |
 | Particle Reverb | This is a unique complex reverb. |
Pedal
| Type Name | Description | |
|---|---|---|
 | Pedal Volume | This volume pedal allows the volume curve to be set. |
 | Black Wah | This pedal wah effect simulates the CRY BABY. |
 | Chrome Wah | This simulates a British wah pedal with a chrome finish. |
 | Wah 100 | This effect simulates an Ibanez wah pedal. |
 | Voice Wah | This effect can make a guitar sound like a human voice. |
 | Pedal Pitch | This effect uses an expression pedal to change the pitch in real time. |
 | Pedal Mono Pitch | This is a pitch shifter specially for monophonic sound (single-note playing), which allows the pitch to be shifted in real time with the expression pedal. |
 | Pedal Rotary | This effect simulates a rotary speaker. |
 | Pedal Flanger | This flanger uses the expression pedal to control the emphasized frequency. |
 | Pedal Vibe | This vibe sound features unique undulations. |
 | Pedal Drive | This drive effect uses the expression pedal to control the gain. |
 | Pedal Phaser | This phaser uses the expression pedal to control the modulation frequency. |
 | Pedal Delay | This effect uses the expression pedal to control the delay input level. |
 | Oscillator Echo | This effect uses the expression pedal to control the delay oscillation. |
 | Pedal Reverb | This effect uses the expression pedal to control the reverb input level. |
 | Pedal Resonance | This is a pedal wah with a strong character. |
 | Pedal Bit Crusher | This effect creates a lo-fi sound. |
Tool
| Type Name | Description | |
|---|---|---|
 | Send/Return | This effect sends the signal to an external effects unit and returns the processed signal to the same position. It is also used for 4-cable method connections. |
 | Sub Out | This effect branches from the path to the output jacks and sends the signal to the sub output jack. The levels sent to the output jacks and to the sub output jack can be adjusted. |
 | Sub In | This effect takes input from the sub input jack. The levels of the input jack and the sub input jack can be adjusted. |
 | Splitter | This effect splits the signal path in two, and the output level of each can be adjusted. |
 | Line Selector | This effect splits the signal path in two, allowing the output to be switched with ON/OFF. |
 | Mixer | This effect combines the two paths split by Splitter or Line Selector, and the input level of each can be adjusted. |
 | Volume | This effect controls the volume. |