Notices
Copying or reprinting this manual in part or in whole without permission is prohibited.
Product names, registered trademarks and company names in this document are the property of their respective companies. All trademarks and registered trademarks in this document are for identification purposes only and are not intended to infringe on the copyrights of their respective owners.
Proper display is not possible on grayscale devices.
Notes about this Operation Manual
The contents of this document and the specifications of the product could be changed without notice.
Microsoft and Windows are trademarks of the Microsoft group of companies.
Mac, macOS, iPad and Lightning are trademarks of Apple Inc.
iPhone is a trademark of Aiphone Co., Ltd. and is used under license.
The microSDXC logo is a trademark of SD-3C LLC.
USB Type-C is a trademark of the USB Implementers Forum.
Recording from copyrighted sources, including CDs, records, tapes, live performances, video works and broadcasts, without permission of the copyright holder for any purpose other than personal use is prohibited by law. ZOOM CORPORATION will not assume any responsibility related to infringements of copyrights.
L6 overview
Realizing high audio quality while mixing
With dual A/D converter circuits and support for 32-bit float format, the L6 can maintain the highest audio quality while mixing.
On the L6, only INPUT 1 and INPUT 2 jacks have dual A/D converter circuits.
Inputs
Dual A/D converter circuits allow input from the loudest to the quietest sounds without requiring gain adjustments.
Mixing
Input sounds are processed using 32-bit float format, so the audio quality at input is maintained while mixing.
Dual A/D converter circuit overview
For each input circuit, the L6 has two A/D converters with different input gains. This design enables mixing with high quality without the need to adjust input gain, which is normally indispensable.
On the L6, only INPUT 1 and INPUT 2 jacks have dual A/D converter circuits.
Providing amazing dynamic range
By combining two A/D converters, a wide dynamic range not possible with a single A/D converter has been realized.
Switching between two A/D converters
The L6 constantly monitors data from the two A/D converters and automatically selects the one that provides the best input results.
32-bit float WAV file overview
The L6 can record input audio and mixed audio. This recorded audio is saved in a 32-bit float WAV file format. 32-bit float WAV files have the following advantages over conventional 16/24-bit WAV files. These advantages allow the recording audio quality to be preserved even when editing in a DAW or other software after recording.
Resolution advantage
32-bit float WAV files have the advantage of being able to maintain high resolution even at low volumes. As a result, quiet sounds can be made louder when editing after recording without degrading their quality.
■ 16/24-bit WAV | |||
Volume raised | Resolution low |
■ 32-bit float WAV | |||
Volume raised | Resolution high |
Clipping advantage
If a waveform sounds clipped when output from the L6 or in a DAW, it can be edited after recording to lower its volume and restore an unclipped waveform because the data in the 32-bit float WAV file itself is not clipped.
■ 16/24-bit WAV | |||
Clipped recording | Volume lowered | Still clipped |
■ 32-bit float WAV | |||
Clipped recording | Volume lowered | Not clipped |
Functions of parts
Top
- POWER button
- This turns the power on/off.
- Channel operation section (→ Channel operation section)
- Connect mics, synthesizers, effects and other equipment here. Conduct operations for each channel, including making input settings and adjusting tone, panning, levels and send amounts.
- MIDI IN/OUT connection jacks
- Use 3.5mm TRS cables to connect MIDI devices.
To connect with MIDI devices that have 5-pin DIN connectors, use 5-pin DIN-TRS MIDI (Type-A) conversion cables.
- USB port (Type-C)
- Connected to a computer, smartphone or tablet, the following uses are possible.
Use an app to make detailed settings for the hardware as well as sound pad settings (computer only)
Use the file transfer function (computer only)
Use the L6 as an audio interface
Control the L6 using MIDI functions
This supports operation on USB bus power.
- Send effect section (→ Send effect section)
- Select the internal effect and adjust its level.
External effects (2) can also be connected.
- Output section (→ Output section)
- Connect powered monitors or a PA system as well as headphones, and adjust the MASTER and MONITOR outputs.
The compressor can be used on the MASTER outputs to increase the sound pressure while preventing clipping.
- Power indicator
- This lights when the power is on.
If using batteries, this shows the remaining battery charge. If the remaining battery charge becomes low, replace the batteries (→ Installing batteries) or connect an AC adapter (→ Connecting an AC adapter) or portable battery (→ Other power sources).
- Scene selection buttons
- Use these to save and recall L6 settings (→ Saving settings (scenes)).
- Recorder section
- Press the (record) button to start recording. The (record) button lights during recording.
Press the (play/stop) button to play recorded files. The (play/stop) button lights during playback. During playback, press the (play/stop) button to stop it.
- Sound pad section
- Audio files assigned to the – (1 – 4) pads can be played back by pressing them.
Use the (SOUND PAD) knob to adjust the sound pad level.
Channel operation section
- INPUT 1 and INPUT 2 jacks (mono channels)
- Connect mics and instruments, for example, to input them on channels 1 and 2. These can be used with XLR and TRS plugs.
- INPUT 3 (L/R) and INPUT 4 (L/R) jacks (stereo channels)
- Connect synthesizers and effects, for example, to input them in stereo on channels 3 and 4. These can be used with TS plugs.
Press a (MONO) button to light it, enabling connection of 2 mono devices instead of 1 stereo device.
- INPUT 5 (L (MONO)/R) and INPUT 6 (L (MONO)/R) jacks (stereo channels)
- Connect synthesizers and effects, for example, to input them in stereo on channels 5 and 6. These can be used with TS plugs.
When connecting mono devices, connect them to the L (MONO) jacks.
When using the L6 as an audio interface, press the (USB 1/2) button or (USB 3/4) button to light it, enabling input of stereo audio from a computer, smartphone or tablet on that channel.
- Equalizer buttons
- Press a button to select one for adjustment, lighting it, and then use the channel (encoders) to adjust the tone.
(HIGH) button: This adjusts high frequencies.
(FREQ) button: This changes the central frequency (100 Hz – 8 kHz) of the adjusted mid frequencies.
(MID) button: This adjusts middle frequencies.
(LOW) button: This adjusts low frequencies.
- Signal indicators (channels 1 – 6)
- These show input signal states.
: Audio being input / : Clipping
- Mute buttons (channels 1 – 6)
- Press one of these to light it and mute that channel.
- Channel encoders (channels 1 – 6)
- Use these to adjust the level, tone and panning of each channel along with their effect send levels.
Adjusted levels are shown by indicators around the encoder.
- Phantom power button (channels 1 – 2)
- Press this to light it and provide +48 V phantom power to the INPUT 1 and 2 (XLR) jacks.
- MONO buttons (channels 3 – 4)
- Press these to enable input of 2 mono signals on those channels.
Level, tone and panning settings as well as effect send levels are shared by both mono inputs.
- USB 1/2 button (channel 5)
- When using the L6 as an audio interface, press this to light it and input audio from channels 1 and 2 of the computer or smartphone.
When lit, audio cannot be input through the INPUT 5 (L (MONO)/R) jacks.
- USB 3/4 button (channel 6)
- When using the L6 as an audio interface, press this to light it and input audio from channels 3 and 4 of the computer or smartphone.
When lit, audio cannot be input through the INPUT 6 (L (MONO)/R) jacks.
- Effect send buttons
- Press a button to select one for effect send level adjustment, lighting it, and then use the channel (encoders) to adjust the effect.
(AUX1) button: This adjusts the level sent to the effect connected to the AUX SEND 1 jack.
(AUX2) button: This adjusts the level sent to the effect connected to the AUX SEND 2 jack.
(EFX) button: Use this to adjust the level sent to the internal effect.
- PAN button
- Press this, lighting it, and then use the channel (encoders) to adjust their stereo positions.
- LEVEL button
- Press this, lighting it, and then use the channel (encoders) to adjust their levels.
Send effect section
- AUX SEND 1/2 jacks
- Connect external effects to these. These can be used with TRS plugs.
- TAP button
- When the “Delay” or “Echo” internal effect is selected, tapping this sets the delay time to the tapped tempo.
The (TAP) button blinks at the set delay time tempo.
- Internal effect indicators
- The indicator lights for the selected internal effect.
- SEL button
- Use this to select the internal effect. Pressing this cycles through the internal effects.
- EFX RTN knob
- This adjusts the internal effect level.
Output section
- MASTER L/R output jacks
- Connect these to a PA system or powered monitors, for example, to output the stereo sound mixed on the L6. These can be used with TRS plugs.
- Master level meters
- These show the levels output from the MASTER L/R output jacks in a range from −48 dB to 0 dB.
- COMP (compressor) button
- Press this to light it, increasing the sound pressure of the audio output from the MASTER L/R output jacks while preventing clipping.
- MASTER knob
- This adjusts the audio levels output from the MASTER L/R output jacks in a range from −∞ to +20 dB.
- MONITOR output jack
- Connect headphones here to monitor the stereo sound mixed on the L6.
- MONITOR knob
- Use this to adjust the volume of the audio output from the MONITOR output jack.
Right side
- microSD card slot
- Insert a microSD card here.
- USB power port (Type-C)
- Power can be supplied to the L6 by connecting a specified AC adapter (AD-17) or a 5V portable battery.
Bottom
- Openings for connecting a Eurorack adapter (ERL-6)
- The L6 can be installed in a Eurorack case by using an ERL-6 Eurorack adapter (sold separately).
- Battery cover
- Open this when installing or removing AA batteries. (→ Installing batteries)
Connection example
- Mics for lead and backing vocals and drums, for example (→ Connecting mics)
- Synthesizers and other instruments (→ Connecting synthesizers and effects)
- MIDI devices, including keyboards and controllers (→ Connecting MIDI devices)
- Powered monitors and PA systems, for example (→ Connecting headphones, powered monitors and mixers)
- External effects (→ Connecting external effects)
- Computer, smartphone or tablet (→ Connecting computers, smartphones and tablets)
- AC adapter (→ Connecting an AC adapter)
- Headphones (→ Connecting headphones, powered monitors and mixers)
Signal flow
- Recording files (red)
- Channel inputs 1 – 6 and the master outputs are recorded on the microSD card.
During playback on the L6, MASTER L/R recording files are played. The master volume and compressor on/off state affect MASTER L/R recording files so be aware when adjusting the master volume and compressor on/off state.
- USB input (light blue)
- When in use as an audio interface, these sounds are input to the computer, smartphone or tablet.
- USB output (blue)
- When in use as an audio interface, these sounds are output from the computer, smartphone or tablet.
- MONO ×2 buttons
- The handling of the L and R signals of channels 3 and 4 can be switched between stereo and mono.
- Equalizer
- The tones of channels 1 – 6 can be adjusted.
- Muting
- Channels 1 – 6 can be muted.
- Levels
- The levels of channels 1 – 6 can be adjusted.
- AUX 1 outputs (orange)
- Signals can be output from the AUX SEND 1 jack. The level sent from each channel can be adjusted.
The AUX 1 output position can be switched to before LEVEL adjustment. (→ Selecting the signal send positions for AUX SEND 1 and 2)
- AUX 2 outputs (orange)
- Signals can be output from the AUX SEND 2 jack. The level sent from each channel can be adjusted.
The AUX 2 output position can be switched to before LEVEL adjustment. (→ Selecting the signal send positions for AUX SEND 1 and 2)
- Effect (green)
- Signals can be sent to the internal effect. The level sent from each channel can be adjusted.
- Panning
- The stereo positions of channels 1 – 6 can be adjusted.
- MASTER L/R (black)
- Signals are output to the MASTER jacks.
- SOUND PAD L/R (purple)
- Sound pad signals are output.
- Levels
- The levels of sound pads 1 – 4 can be adjusted. These can only be set using the ZOOM L6 Editor computer app. (→ Setting sound pad play modes and levels)
- Sound pad level
- The overall level of all sound pads can be adjusted.
- Internal effects
- Effects that can be selected from 5 types.
- Effect level
- The internal effect level can be adjusted.
- Master level
- The master level can be adjusted.
- Compressor
- This can increase the sound pressure of the mixed audio while preventing clipping.
- Monitoring volume
- The monitoring volume can be adjusted.
Preparing for use
Supplying power
The L6 can be powered by a connected power supply (AC adapter, USB bus power or portable battery) or batteries.
Power sources will be used in the following order of priority: USB port on right side, USB port on top, batteries.
Installing batteries
To power the L6 with batteries, use 4 AA batteries.
Use only one type of battery (alkaline, NiMH or lithium) at a time.
Set the type of battery used correctly so that the amount of remaining battery charge can be shown accurately. (→ Setting the type of batteries used)
If the batteries run out of charge, turn the power off immediately and install new batteries. The remaining battery charge can be checked with the (power indicator). (→ Top)
Connecting an AC adapter
Connect the cable of the specified AC adapter (AD-17) to the USB (Type-C) port on the right side of the unit, and connect the AC adapter to an outlet.
Other power sources
The L6 can be operated using USB bus power by connecting a computer to the USB (Type-C) port on the top of the unit. A 5V mobile battery (commercially-available) can also be used to provide power.
Making connections
Connecting mics
Connect dynamic and condenser mics with XLR plugs to the INPUT 1 and 2 jacks.
Phantom power (+48 V) can be supplied to condenser mics. To supply phantom power, press the (phantom power) button so that it lights.
If the (SIGNAL) indicator lights red, move the mic farther from the sound source or make other adjustments so that the (SIGNAL) indicator stops lighting red.
When connecting devices that are not compatible with phantom power, do not turn on the phantom setting. Doing so could damage the device.
On the L6, to make handling levels of input signals easier, the input level is set according to the type of plug connected to the input jack. Use mic level devices when connecting with XLR plugs.
Phantom power is a function that supplies power to devices that require an external power supply, including condenser mics.
+48 V is standard.
Connecting synthesizers and effects
Synthesizers, effects and other line-level devices can be connected to INPUT 1 – 6.
1 – 2 are mono inputs and 3 – 6 are stereo inputs.
Connecting to INPUT 1 – 2
Connect devices to each input with TRS plugs.
Phantom power (+48 V) can be supplied. To supply phantom power, press the (phantom power) button so that it lights.
To make handling levels of input signals easier, input levels are set according to the type of plug connected to the INPUT 1 and 2 jacks. Use line level devices when connecting with TRS plugs.
Connecting to INPUT 3 – 4 (L/R)
Connect stereo devices to the L/R jacks of each input. These can be used with TS plugs.
Two mono devices each can also be connected to INPUT 3 – 4. When doing this, press the (MONO ×2) button.
Connecting to INPUT 5 – 6 (L (MONO)/R)
Connect stereo devices to the L/R jacks of each input. These can be used with TS plugs.
Connect mono devices to the L (MONO) jacks.
Stereo audio can also be input from a computer, smartphone or tablet. Press the (USB 1/2) button to input using INPUT 5, and press the (USB 3/4) button to input using INPUT 6. (→ Using as an audio interface)
Direct input of passive guitars and basses is not supported. Connect these instruments through a mixer or effects device.
If the (SIGNAL) indicator lights red, lower the level of the device connected to that channel or make other adjustments so that the (SIGNAL) indicator stops lighting red.
Connecting headphones, powered monitors and mixers
Stereo audio that is a mix of every channel can be output to powered monitors or a PA system connected to the MASTER output jacks.
Headphones can also be connected to the MONITOR output jack.
Connecting computers, smartphones and tablets
Computers, smartphones and tablets can be connected to the USB port on the top of the L6.
- Smartphone/tablet (USB Type-C)
- iPhone/iPad (Lightning)
- Computer (Windows/Mac)
Use a USB cable that supports data transfer.
Use a Lightning to USB 3 Camera Adapter to connect to an iOS/iPadOS device with a lighting connector.
When using a smartphone or tablet, connect an AC adapter to supply power. (→ Connecting an AC adapter)
By connecting the L6 to a computer, smartphone or tablet, the following uses are possible.
Install the ZOOM L6 Editor on a computer and use it to make sound pad settings and other detailed settings. (→ Using the app)
L6 input sounds can be sent to a computer, smartphone or tablet and playback signals from that device can be output from the L6. (→ Using as an audio interface)
Files on the microSD card in the L6 can be checked and moved using a computer. (→ Transferring files to computers)
MIDI signals can be exchanged with DAWs and other software on computers, smartphones and tablets and used to control the L6. (→ Using MIDI devices)
Inserting microSD cards
By inserting a microSD card, the sound input on each channel as well as a stereo mix can be recorded.
In addition, audio files to be used by the sound pads can be saved on the microSD card and assigned to them.
Use examples
Using as a synth mixer
Used to mix multiple synthesizers, it can be manipulated in live performances and recording.
Live streaming of podcasts
Using mics, sound can be streamed in real time. (→ Using as an audio interface)
While streaming audio in real time, the L6 can simultaneously record.
Using in the field
Powered by regular batteries or a portable battery, the L6 can be used to capture audio in the field. The captured audio can be recorded on a microSD card and transferred to a computer for editing and distribution.
Turning the power on/off
Turning on the power
Turning the power off
Using the app
Install the ZOOM L6 Editor on a computer and use it to make initial settings, sound pad settings and other detailed settings.
App screen overview
- SOUND PAD settings (→ Using sound pads)
- Assign audio files to sound pads and make settings for them, including play mode and level.
- File transfer mode (→ Transferring files to computers)
- Files can be transferred when the L6 is connected to a computer.
- Date & Time (→ Setting the date and time)
- This shows the date and time set for the L6. (When ZOOM L6 Editor is launched, the date and time for the L6 is acquired from the computer and set automatically.)
- microSD card data (→ Checking the microSD card state)
- This shows the capacity and open space of the microSD card along with the available recording time.
- Battery type (→ Setting the type of batteries used)
- Select the type of batteries used in the L6.
- Auto Power Off (→ Turning the power off automatically (Auto Power Off))
- The power can be set to turn off automatically if it is not used for the specified amount of time.
- Recorder mode (→ Selecting the type of files recorded)
- Select the channels to be recorded.
- MIDI settings (→ Using MIDI devices)
- Make settings related to MIDI.
- Internal effect parameter settings (→ Adjusting internal effect parameters)
- Internal effect parameters can be adjusted.
- Selection of signals sent to AUX SEND 1/2 jacks (→ Selecting the signal send positions for AUX SEND 1 and 2)
- The signal sent from each channel to the AUX SEND 1/2 jacks can be set to before or after level adjustment.
- Resetting (→ Restoring factory default settings)
- The L6 settings can be reset to their factory defaults.
Setting date and time, battery type and automatic power off (making initial L6 settings before use)
Before use, set the date and time, battery type and automatic power off function.
The date and time will be added to the name of the folder where recording files are saved. Moreover, to enable accurate display of remaining battery charge, the type of batteries used in the L6 must be selected correctly.
The power will automatically turn off if the L6 is unused for 10 hours. To keep the power on at all times, set Auto Power Off to Never.
Setting date and time, battery type and auto power off without using the app
Initial L6 settings can be made without using the app by putting the L6 in setting mode.
The settings can be confirmed using sound output from the L6. Connect powered monitors or headphones to the L6. (→ Connecting headphones, powered monitors and mixers)
Mixing
Adjusting channel levels
Adjusting the overall and monitoring levels
Sound mixed on the L6 can be output to powered monitors or a PA system connected to the MASTER output jacks. It can also be monitored using headphones connected to the MONITOR output jack.
Adjusting the level of the MASTER output jacks
Use the (MASTER) knob to adjust the audio level output from the MASTER output jacks in a range from −∞ to +20 dB. Use the level meters to confirm the levels output from the MASTER output jacks. Adjust it so that they do not light red.
Press (COMP) button to light it, increasing the sound pressure on the audio output from the MASTER output jacks while preventing clipping.
Adjusting the level of the MONITOR output jack
Use the (MONITOR) knob to adjust the level of the audio output from the MONITOR output jack.
Adjusting the level with the (MASTER) knob will also change the MONITOR output level. The level adjusted by the (MONITOR) knob does not affect the MASTER output level.
Muting channels
Adjusting panning for each channel
Adjusting channel tone (EQ)
Frequency bands can be boosted/cut to adjust the tones of each channel.
Using effects
The internal effects of the L6 can be used on every channel. In addition, two external effects can be connected and applied to sounds.
Using internal effects
The internal effect level can be adjusted.
Adjusting internal effect parameters
Use ZOOM L6 Editor to adjust internal effect parameters.
Using external effects
Up to two external effects can be connected and applied to each channel.
Connecting external effects
: audio signal flow
- Connect the L6 AUX SEND 1 or 2 jack to the input jack of an external effect.
- Send channel signals from the L6 to the external effect.
- Connect the output jacks of the external effect to INPUT 3 – 6 jacks on the L6.
- Input the sound of the external effect on channel 3 – 6. To adjust the level of the external effect, do so on the connected channel.
Using external effects
Selecting the signal send positions for AUX SEND 1 and 2
The signal sent from each channel to the AUX SEND 1/2 jacks can be set to either before or after level adjustment.
Saving settings (scenes)
Up to 3 sets of current mixer settings can be saved as scenes and these saved settings can be recalled at any time.
Saving scenes
Settings for the following are saved with scenes.
Channel 3/4 mono, channel 5/6 USB input, muting, EQ, effect send amounts, AUX send amounts, AUX output positions, panning, levels, effect selection, effect parameters, tap tempo, compressor.
Recalling scenes
Using sound pads
Audio files can be assigned to the SOUND PAD buttons. Press one to play the assigned file.
This is convenient for playing interviews that have been recorded in advance, opening and closing music and jingles. Level and play mode settings can be made for each pad. MIDI devices can also be used to play the sound pads.
Assigning audio files to SOUND PAD buttons
Audio files saved on the microSD card in advance can be assigned to SOUND PAD buttons.
In addition, the L6 can also be used to record audio files for assignment.
Assigning audio files saved on the microSD card to SOUND PAD buttons
Audio files saved on the microSD card loaded in the L6 can be assigned to SOUND PAD buttons.
Audio files must be saved in specific directories, so always use the L6 to format microSD cards to be used with it. (→ Formatting microSD cards)
The SOUND PAD function supports the following audio file types.
File format: WAV
Sample rate: 44.1, 48, 88.2, 96, 176.4 or 192 kHz (converted to 48 kHz when assigned)
Bit depth: 16, 24 or 32 (float)
Channels: 1 or 2
Using the L6 to record audio files and assign them to sound pads
Stereo files mixed and recorded on the L6 can be assigned to sound pads.
Setting sound pad play modes and levels
For every sound pad, the playback method used when it is pressed and its level can be changed.
Playing sound pads
Using computers, smartphones, tablets and MIDI devices to play sound pads
Computers, smartphones, tablets and MIDI devices, including MIDI keyboards, can be used to play sound pads.
Recording and playing audio
By installing a microSD card in the L6, audio from every channel as well as a stereo mix of all channels can be recorded.
The most recently recorded file can also be played back.
Recorded files are saved in the following format.
Sample rate: 48 kHz
Bit depth: 32-bit float
Mono files for channels 1/2, stereo or two mono files for channels 3/4, stereo files for channels 5/6 and the MASTER output
For details about recorded files, see “Managing files“.
Recording
Selecting the type of files recorded
The files saved when recording can be selected.
Playing recordings
Managing files
Files created by the L6 are saved on the microSD card.
Recording files on the microSD card can be checked and deleted.
L6 folder and file structure
The following types of files are created when recording with a microSD card that was formatted by the L6.
- RECORDER folder
- Files recorded by the L6 are saved here in folders.
- Recording file folders
- These are created every time recording occurs. These file folders are named with a “date_time” format.
The mono/stereo files created are saved in these.
- Recording files
- See “Naming of recording files and folders” for details about recording file names.
The recording files for each channel and stereo files for mixes of the channels are saved as follows.
Channels 1/2: Mono files are saved for each channel.
Channels 3/4: Stereo files are saved for each channel. When a (MONO) button is lit, 2 mono files will be created instead of a stereo file.
Channels 5/6: Stereo files are saved for each channel. (A stereo file will be saved even if only the L jack is connected, but the same sound will be recorded on both L and R channels.)
Master channel: Stereo files will be saved.
- SOUND PAD folder
- Audio files assigned to sound pads are stored in folders for each pad.
- SOUND PAD settings file
- SOUND PAD settings are saved in this file.
- PAD1 – PAD4 folders
- Save audio files you want to assign to sound pads in the folders for each pad. (→ Assigning audio files to SOUND PAD buttons)
- Audio files that can be assigned to sound pads
- For details about the formats of audio files that can be assigned, see “Assigning audio files to SOUND PAD buttons”.
- System file
- This is a system file used by the L6. Do not delete it.
Naming of recording files and folders
Numerical dates and times of recording are used for the names of recording file folders.
Folder name example | Explanation |
---|---|
|
File names are given in the following format.
File name example | Explanation |
---|---|
|
If the file size would exceed 2 GB, a new file will be created automatically and recording will continue without pause. New files created in such cases will have “_001” – “_999” added to the ends of their names.
Using as an audio interface
Sounds input to the L6 can be sent to a computer, smartphone or tablet and playback signals from that device can be output from the L6.
No driver is necessary for use with Mac computers, smartphones and tablets.
To operate the L6 at 32-bit float with a Mac, see “Using with Mac computers”.
To record with a DAW application on Windows, see “Using with Windows computers”.
Connecting to computers, smartphones and tablets
Using with Mac computers
The format used by the L6 for data transfer can be selected on the Mac.
Using with Windows computers
Installing the driver
Making driver control panel settings
Transferring files to computers
By connecting the L6 to a computer, files on the microSD card can be checked and moved.
Connecting with a computer
Disconnecting from a computer
Using MIDI devices
Connecting MIDI devices
Computers and MIDI devices can be connected to the L6.
- MIDI devices
- Use 3.5mm TRS cables to connect MIDI devices, including controllers and keyboards.
To connect with MIDI devices that have 5-pin DIN connectors, use 5-pin DIN-TRS MIDI (Type-A) conversion cables.
- Smartphone/tablet (USB Type-C)
- iPhone/iPad (Lightning)
- Computer (Windows/Mac)
Use a USB cable that supports data transfer.
Use a Lightning to USB 3 Camera Adapter to connect to an iOS/iPadOS device with a lighting connector.
USB MIDI port overview
When the L6 is connected to a computer, DAWs and other applications that use MIDI ports will recognize 3 MIDI ports on it.
Each port has a different function. Refer to the table below when selecting them.
Port name (Windows) | Port name (Mac/iPhone/iPad) | Explanation |
---|---|---|
ZOOM L6 | L6 MIDI I/O Port | Select this port to use the MIDI IN/OUT jacks as a USB MIDI interface. Using a DAW or other software, MIDI signals input through the MIDI IN jack can be recorded, and MIDI signals can be output from the MIDI OUT jack to control external MIDI devices. |
MIDIIN2/MIDIOUT2 (ZOOM L6) | L6 Mixer Control Port | Select this port to control the L6. Using MIDI control numbers assigned with “MIDI CC# Mapping”, L6 parameters can be controlled and L6 operations can be recorded in a DAW or other software. (→ Assigning MIDI control numbers to L6 parameters.) Select this port also when you want to play sound pads with MIDI notes or make the delay time of the internal effect follow the tempo. |
MIDIIN3/MIDIOUT3 (ZOOM L6) | for L6 Editor Port | This communication port is dedicated for use by the ZOOM L6 Editor computer app. Do not use it. |
If a DAW or another application that uses MIDI ports is launched before ZOOM L6 Editor, the MIDI ports needed by ZOOM L6 Editor could be used, preventing proper connection. Launch ZOOM L6 Editor before the other app, or set that app not to use the MIDIIN3 and MIDIOUT3 (ZOOM L6) ports.
Making MIDI settings
Various MIDI settings can be made.
Controlling the L6 with a MIDI device connected to the MIDI IN/OUT jacks.
To control the L6 with a MIDI controller, MIDI keyboard or other MIDI device connected to the MIDI IN/OUT jacks, turn on this setting.
Setting the MIDI output mode
MIDI signals output from the L6 MIDI OUT can be set to either the MIDI signals generated by the L6 or MIDI signals input through the MIDI IN.
Setting the L6 MIDI channel
The MIDI channel that the L6 uses to send and receive data can be set.
Assigning MIDI control numbers to L6 parameters.
MIDI control numbers can be assigned to the L6 parameters.
The L6 can be controlled with operations using the corresponding MIDI control numbers on MIDI devices, including MIDI controllers and keyboards, and in DAWs and other software.
■ Parameter list
Parameter name | Explanation | Parameter name | Explanation |
---|---|---|---|
EQ HI LEVEL (CH 1 – 6) | Boost/cut high frequencies. Each channel can be adjusted separately. | EQ MID FREQ (CH 1 – 6) | Adjust the middle frequency of the mid band that is boost/cut. Each channel can be adjusted separately. |
EQ MID LEVEL (CH 1 – 6) | Boost/cut middle frequencies. Each channel can be adjusted separately. | EQ LO LEVEL (CH 1 – 6) | Boost/cut low frequencies. Each channel can be adjusted separately. |
AUX 1 SEND (CH 1 – 6) | Adjust the level sent to the device connected to the AUX SEND 1 jack. Each channel can be adjusted separately. | AUX 2 SEND (CH 1 – 6) | Adjust the level sent to the device connected to the AUX SEND 2 jack. Each channel can be adjusted separately. |
EFX SEND (CH 1 – 6) | Adjust the level sent to the internal effect. Each channel can be adjusted separately. | PAN (CH 1 – 6) | Adjust the left-right position. Each channel can be adjusted separately. |
LEVEL (CH 1 – 6) | Adjust the level. Each channel can be adjusted separately. | MUTE (CH 1 – 6) | Mute/unmute the channel. Each channel can be adjusted separately. |
MONO ×2 (CH 3 – 4) | Change the channel 3/4 input to dual mono. | USB 1/2, USB 3/4 | Input audio from channels 1–2 or 3–4 of a computer or smartphone to L6 channels 5 or 6. |
EFX TYPE | Select the internal effect. | COMPRESSOR | Turn on/off the compressor. |
Managing microSD cards
Checking the microSD card state
The capacity and open space of the microSD card loaded in the L6 along with the available recording time can be checked.
Formatting microSD cards
To maximize the performance of a microSD card, format it for use with the L6.
Making various settings
Setting the date and time
The date and time can be set.
If factory default settings are restored (→ Restoring factory default settings), the date and time will be reset, so set them again.
Setting date and time without using the app
The settings can be confirmed using sound output from the L6. Connect powered monitors or headphones to the L6. (→ Connecting headphones, powered monitors and mixers)
Setting the type of batteries used
Select the type of battery used by the L6 correctly so that the amount of remaining battery charge can be shown accurately.
Setting the battery type without using the app
The settings can be confirmed using sound output from the L6. Connect powered monitors or headphones to the L6. (→ Connecting headphones, powered monitors and mixers)
Turning the power off automatically (Auto Power Off)
The power will automatically turn off if the L6 is unused for 10 hours.
To keep the power on at all times, set Auto Power Off to Never.
In the following cases, the power will not turn off automatically regardless of the Auto Power Off Setting.
When recording or playing back
When using the L6 as an audio interface
When using the file transfer function
During execution of a firmware update
Operating the L6 will reset the time until the Auto Power Off function activates.
Setting auto power off without using the app
The settings can be confirmed using sound output from the L6. Connect powered monitors or headphones to the L6. (→ Connecting headphones, powered monitors and mixers)
Restoring factory default settings
The L6 settings can be reset to their factory defaults.
Restoring factory default settings without using the app.
Managing the firmware
Checking the firmware version
The firmware version used by the L6 can be checked.
Updating the firmware
The L6 firmware can be updated to the latest version.
Files for the latest firmware updates can be downloaded from the ZOOM website (zoomcorp.com/help/l6).
Follow the instructions in the “L6 Firmware Update Guide” on the L6 download page.
Appendix
Troubleshooting
If you think that the L6 is operating strangely, check the following items first.
Mixing/recording/playback trouble
There is no sound or output is very quiet
Confirm connections with all jacks. (→ Making connections)
Check the orientations of mics and level settings of connected equipment.
Confirm that the levels of the MASTER and MONITOR outputs are not too low. (→ Adjusting the overall and monitoring levels)
Check the levels of each channel. (→ Adjusting channel levels)
Check the phantom power setting. (→ Connecting to INPUT 1 – 2)
Check the mute setting of each channel. (→ Muting channels)
Monitored sound is distorted
Confirm that level meters are not lighting to their highest levels. If they are lighting, use the (MASTER) knob to adjust the MASTER output level.
Use the (MONITOR) knob to adjust the MONITOR level.
Confirm that (SIGNAL) indicators are not lighting red. If they are lighting, lower the levels from the connected devices and adjust the positions and orientations of mics.
Recording is not possible
Confirm that the microSD card has open space. The available recording time can be checked on the ZOOM L6 Editor screen. (→ Checking the microSD card state)
Confirm that a microSD card is loaded properly in the card slot. (→ Inserting microSD cards)
Audio files cannot be assigned to SOUND PAD buttons
Check the format of the audio file to be assigned. (→ Assigning audio files to SOUND PAD buttons)
Confirm that the audio file is saved in the correct directory. (→ Assigning audio files to SOUND PAD buttons)
SOUND PAD functions cannot be used
Check the SOUND PAD level. (→ Setting sound pad play modes and levels, Playing sound pads)
Confirm that audio files have been assigned to the sound pads. (→ Assigning audio files to SOUND PAD buttons)
Other trouble
Not recognized by a computer, smartphone or tablet even though a USB port is connected to it
Use the USB port on top of the L6 to connect a computer, smartphone or tablet.
Use a USB cable that supports data transfer.
The operation mode must be set on the L6 to allow the computer, smartphone or tablet to recognize it. (→ Transferring files to computers)
Confirm that the computer, smartphone or tablet and the application being used support 32-bit float format.
Even if the L6 cannot be selected in the computer “Sound” settings, it can be used as a 32-bit float audio interface by selecting the L6 as the “Audio” or “Input/output” device in an application that supports 32-bit float format.
A driver is necessary to use 32-bit float format with Windows. The driver can be downloaded from the ZOOM website (zoomcorp.com/help/l6).
Battery operation time is short
Making the following settings could increase the battery operation time.
Set the type of battery used correctly. (→ Setting the type of batteries used)
Disconnect unnecessary cables from connectors.
Due to their characteristics, using rechargeable nickel metal hydride batteries (especially high-capacity ones) or lithium batteries should enable longer use than alkaline batteries when power consumption is high.
Block diagram
MIDI implementation chart
Function | Transmitted | Recognized | Remarks | |
---|---|---|---|---|
Basic channel | Default | 1 – 16 | 1 – 16 | |
Changed | 1 – 16 | 1 – 16 | ||
Mode | Default | Mode 3 | Mode 3 | |
Message | × | × | ||
Altered | ************** | ************** | ||
Note number | 0 – 127 | 0 – 127 | ||
True Voice | 0 – 127 | 0 – 127 | SOUND PAD 1 – 4 | |
Velocity | Note ON | × | × | |
Note OFF | × | × | ||
Aftertouch | Keys | × | × | |
Channel | × | × | ||
Pitch Bend | × | × | ||
Control Change | 0 | × | × | |
1 – 31 | ○ | ○ | ||
32 | × | × | ||
33 – 95 | ○ | ○ | ||
96 – 101 | × | × | ||
102 – 119 | ○ | ○ | ||
120 – 127 | × | × | ||
Program Change | ○ | ○ | ||
True Number | 0 – 2 | 0 – 2 | SCENE A – C | |
System Exclusive | × | × | ||
System Common | Song Position | × | × | |
Song Select | × | × | ||
Tune Request | × | × | ||
System Real Time | Clock | × | ○ | |
Commands | × | × | ||
Aux Messages | Local ON/OFF | × | × | |
All Notes OFF | × | × | ||
Active Sense | × | × | ||
System Reset | × | × | ||
Mode 1: OMNI ON, POLY | Mode 2: OMNI ON, MONO | ○: Yes | ||
Mode 3: OMNI OFF, POLY | Mode 4: OMNI OFF, MONO | ×: No |
Specifications
Input and output channels | Inputs | MIC/LINE (mono) | 2 |
LINE (stereo) | 4 | ||
Outputs | AUX SEND (mono) | 2 | |
MASTER (stereo) | 1 | ||
MONITOR (stereo) | 1 | ||
Inputs | MIC/LINE | Connectors | 2 XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) |
Input gain | Adjustment unnecessary (dual A/D converter circuits used) | ||
Input impedance | XLR: 3.8 kΩ or more TRS: 39 kΩ or more | ||
Maximum input level | XLR: +4 dBu TRS: +24 dBu | ||
Phantom power | +48 V Channel total of 10 mA or less | ||
LINE | Connectors | 8 TS phone jacks (balanced) | |
Input impedance | 10 kΩ | ||
Maximum input level | +9 dBu | ||
Outputs | AUX SEND | Connectors | 2 TRS phone jacks (impedance balanced) |
Maximum output level | +9.5 dBu | ||
Output impedance | 147 Ω | ||
MASTER | Connectors | 2 TRS phone jacks (balanced) | |
Maximum output level | +15 dBu | ||
Output impedance | 147 Ω | ||
MONITOR | Connector | TRS phone jack | |
Maximum output level | 50 mW + 50 mW (63 Ω load) | ||
Output impedance | 14.7 Ω | ||
Buses | MASTER | 1 | |
AUX SEND | 2 | ||
SEND EFX | 1 | ||
Channel strip | EQ | HIGH | 10 kHz, ±15 dB, shelving |
MID | 100 Hz – 8 kHz, ±15 dB, peaking | ||
LOW | 100 Hz, ±15 dB, shelving | ||
Level meters | 6 segments | ||
Send effects | 5 types | ||
Recorder | Maximum simultaneous recording tracks | 12 | |
Maximum simultaneous playback tracks | 2 | ||
Recording formats | 48 kHz, 32-bit float, mono/stereo WAV | ||
Recording media | microSDHC memory cards (Class 10 or higher) microSDXC memory cards (Class 10 or higher) See the ZOOM website (zoomcorp.com/help/l6) for information about microSD cards that have been confirmed to work with this unit. | ||
Audio interface | Input and output channels | Input: 12 channels Output: 4 channels | |
Sampling frequency | 48 kHz | ||
Bit depth | 32-bit float / 24-bit | ||
Interface | USB 2.0 | ||
Card reader | Class | Mass storage class USB 2.0 High Speed | |
Sampling frequency | 48 kHz | ||
Frequency response | 20 Hz – 20 kHz / -1.0 dB | ||
Equivalent input noise | -120 dBu or less (IHF-A) at 150Ω input | ||
Power | 4 AA batteries (alkaline, lithium, or rechargeable NiMH) AC adapter (ZOOM AD-17): DC 5V/1A • USB bus power is supported. | ||
Estimated continuous recording time using batteries • These values are approximate. • Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions. | 12-track recording, phantom power off, headphones used (63Ω load), no MASTER output connections | Alkaline batteries: about 3 hours NiMH batteries (1900 mAh): about 3.5 hours Lithium batteries: about 7 hours | |
Power consumption | 5 W maximum | ||
Dimensions | 223 mm (W) × 114 mm (D) × 46.5 mm (H) | ||
Weight (main unit only) | 526 g | ||
Weight (including batteries) | 618 g |
Note: 0 dBu = 0.775 Vrms