Notices
Copying or reprinting this manual in part or in whole without permission is prohibited.
Product names, registered trademarks and company names in this document are the property of their respective companies. All trademarks and registered trademarks in this document are for identification purposes only and are not intended to infringe on the copyrights of their respective owners.
Proper display is not possible on grayscale devices.
Notes about this Operation Manual
The contents of this document and the specifications of the product could be changed without notice.
Microsoft and Windows are trademarks of the Microsoft group of companies.
Mac, macOS, iPhone, iPad and Lightning are trademarks of Apple Inc.
The microSDXC logo is a trademark of SD-3C LLC.
USB Type-C is a trademark of the USB Implementers Forum.
Recording from copyrighted sources, including CDs, records, tapes, live performances, video works and broadcasts, without permission of the copyright holder for any purpose other than personal use is prohibited by law. ZOOM CORPORATION will not assume any responsibility related to infringements of copyrights.
L12next overview
Combining the convenience of digital with the usability of analog
Analog mixers have dedicated knobs for every channel, enabling quick intuitive operation but they cannot save and recall scenes (settings).
On the other hand, many digital mixers can save and recall scenes (settings), but knobs are shared, so channels must be selected before making adjustments.
The L12next combines the convenience of digital with the usability of analog. For each channel strip, it has 3 knobs along with a channel knob selection button that allows their functions to be chosen instantly.
Realizing high audio quality while mixing
Input sounds are processed using 32-bit float format, so the audio quality at input is maintained while mixing.
In addition, the L12next can record mixed stereo files in 32-bit float format. This allows high sound quality to be retained during post-editing.
32-bit float WAV file overview
Master files that are recorded as stereo mixes by the L12next are saved using 32-bit float WAV file format. 32-bit float WAV files have the following advantages over conventional 16/24-bit WAV files. These advantages allow the recording audio quality to be preserved even when editing in a DAW or other software.
Clipping advantage
If a waveform sounds clipped when output from the L12next or in a DAW, it can be edited after recording to lower its volume and restore an unclipped waveform because the data in the 32-bit float WAV file itself is not clipped.
| ■ 16/24-bit WAV | |||
| Clipped recording | Level lowered | Still clipped | |
| ■ 32-bit float WAV | |||
| Clipped recording | Level lowered | Not clipped | |
Functions of parts
Top
- Channel operation section (→ Channel operation section)
- Connect mics, guitars, synthesizers, effects and other equipment here. Conduct operations for each channel, including making input settings and adjusting tone, panning, levels and effect send levels.
- Output section (→ Output section)
- Connect powered monitors, a PA system and headphones, for example, here, and adjust the MASTER and MONITOR outputs.
- Display
- This shows various types of information.
- Scene section (→ Scene section)
- Use these to save and recall L12next settings.
- Selection knob
When the Menu Screen is open, turn this to select items and press it to confirm selected items.
Press this when recording or playing to add a mark.
- Recorder section (→ Recorder section)
- Use this for recording and playback operations.
- MENU button
- Press this when the Home Screen is open to open the Menu Screen.
Press this when the Menu Screen is open to return to the previous screen. Press this repeatedly to return to the Home Screen.
- EFX RETURN section
EFX RETURN fader: This adjusts the levels of the signals sent from the built-in effect to the MASTER in a range from −∞ dB to +10 dB.
EFX RETURN level meters: These show the levels of signals that pass through the EFX RETURN fader from the internal effect and are sent to the MASTER in a range from −48 dB to 0 dB.
MUTE button: Press this, lighting it, to mute the channel.
SOLO button: Press this, lighting it, to enable signals before the EFX RETURN fader to be heard from the MONITOR OUT (PHONES) jack.
At this time, SOLO will automatically be selected as the signal output from the MONITOR OUT (PHONES) jack.
- Master section
MASTER fader: This adjusts the levels of the signals sent to the MASTER in a range from −∞ dB to +10 dB.
MASTER level meters: These show the levels of the signals sent to the MASTER bus in a range from −48 dB to 0 dB.
MUTE button: Press this, lighting it, to mute the channel.
COMP button: The compressor can be used on the MASTER output to increase the sound pressure.
- Send effect section (→ Send effect section)
- Select internal effects and adjust their parameters here.
- FADER POSITION button
- While this is being pressed, the set fader positions will be shown on the level meters.
- TALKBACK MIC button and indicator
- While this is being pressed, talkback mic input will be enabled.
Talkback mic audio will be input on channels 11/12 instead of audio from the LINE (11/12) input jacks.
- Metronome button and indicator
- This opens the Metronome Screen where tempo, click and related settings can be made.
This indicator lights when the metronome is enabled.
Channel operation section
- MIC/LINE input jacks (channels 1–8 (mono))
- Connect mics and instruments, for example, to these.
These can be used with both XLR and 1/4-inch (TRS/balanced or TS/unbalanced) phone plugs.
- Hi-Z switches
- Press these when directly connecting guitars or basses. (These switch the input impedance of the MIC/LINE input jacks.)
- 48V switches/indicators
- Press these to supply +48V phantom power to the MIC/LINE input jacks (channels 1–4/5–8 XLR). The indicators light when they are on.
- PAD switches
- These attenuate input signals by 26 dB.
Press these when connecting equipment with line level output.
- USB AUDIO RETURN 1–2/3–4 buttons
- These switch the signals input to channels 9/10 and 11/12.
Lit: When using the L12next as an audio interface, audio from computer or smartphone channels 1–2/3–4 will be input.
Unlit: The audio from the LINE input jacks will be input.
- LINE input jacks (stereo channels 9/10, 11/12
- Connect keyboards and other audio devices here. These can be used with TS plugs.
When connecting mono devices, connect them to the L (MONO) jacks.
When using the L12next as an audio interface, press the
(USB AUDIO RETURN 1–2) or
(USB AUDIO RETURN 3–4) button, lighting it, to enable input of stereo audio from a computer or smartphone on that channel. (→ Inputting audio output from a computer, smartphone or tablet on channels 9/10 and 11/12)
When the talkback mic is activated, its audio will be input on channels 11–12. (→ Using the talkback mic)
- Signal indicators (channels 1–8, 9/10, 11/12)
- These show input signal states.
: Audio being input /
: Clipping
Adjust so that these do not light red.
- Overdubbing section (→ Overdubbing section)
- Use these for overdubbing, punching in/out, and assigning files to channels.
- Top, middle and bottom channel knobs (channels 1–8, 9/10, 11/12)
- Use these to adjust the gain, compression, low cut, EQ, panning, effect send levels and MONITOR OUT jack (SEND A–E) levels for each channel. Use the channel knob selection buttons (1–5) to select the functions to adjust.
Adjusted levels are shown on the display and by indicators around the knobs.
- MUTE and SOLO buttons (channels 1–8, 9/10, 11/12)
- MUTE button: Press these, lighting them, to mute those channels.
SOLO button: Press these, lighting them, to enable the pre-fader signals of those channels to be heard from the MONITOR OUT (PHONES) jack. At this time, SOLO will automatically be selected as the signal output from the MONITOR OUT (PHONES) jack.
- Channel faders and level meters
- Channel faders: These adjust channel signal levels in a range from −∞ to +10 dB.
Level meters: These show the signal levels after adjustment by the channel faders. (Range shown: −48 dB – 0 dB)
- Channel knob selection button 1 (GAIN, COMP, LOCUT)
- Select this to adjust the gain, compression and low cut for each channel.
GAIN: Adjust the input gain.
COMP: Adjust the amount of compression.
LOCUT: Low frequencies can be cut to reduce the sound of wind and vocal pop noises, for example.
Adjusted levels are shown by indicators around the knobs.
- Channel knob selection button 2 (EQ HIGH, EQ LOW, PAN)
- Select this to adjust the high and low EQ frequencies and the left-right stereo position for each channel.
EQ HIGH: Adjust high frequencies.
EQ LOW: Adjust low frequencies.
PAN: Adjust the left-right position.
Adjusted levels are shown by indicators around the knobs.
- Channel knob selection button 3 (EQ MID, MID FREQ, MID Q)
- Select this to adjust the mid EQ frequencies for each channel.
EQ MID: Adjust mid frequencies.
MID FREQ: This changes the central frequency of the adjusted mid frequencies. (100 Hz – 8 kHz)
MID Q: This adjusts the width of the middle band that is adjusted.
Adjusted levels are shown by indicators around the knobs.
- Channel knob selection button 4 (SEND A, SEND B, SEND C)
- Select this to adjust the levels sent to the MONITOR OUT jacks through SEND A–C.
SEND A: Use this to adjust levels sent to the MONITOR OUT A jack.
SEND B: Use this to adjust levels sent to the MONITOR OUT B jack.
SEND C: Use this to adjust levels sent to the MONITOR OUT C jack.
Adjusted levels are shown by indicators around the knobs.
- Channel knob selection button 5 (SEND D, SEND E, SEND FX)
- Select this to adjust the levels sent to the MONITOR OUT jacks through SEND D–E and to the internal effect.
SEND D: Use this to adjust levels sent to the MONITOR OUT D jack.
SEND E: Use this to adjust levels sent to the MONITOR OUT E jack.
SEND EFX: Use this to adjust the levels sent to the internal effect.
Output section
- MASTER OUT L/R jacks
- Connect these to a PA system or powered monitors, for example, to output the stereo sound mixed on the L12next.
These can be used with XLR plugs.
- MONITOR OUT (A–D) jacks
- Connect headphones and powered monitors, for example, here to monitor the stereo sound mixed on the L12next.
MASTER or SEND A–D can be selected as the audio output from the MONITOR OUT (A–D) jacks. (→Making monitoring settings)
These can be used with TRS plugs.
When a MONITOR OUT device switch is set to When a MONITOR OUT device switch is set to - MONITOR OUT A–D knobs
- Use these to adjust the volumes of the audio output from the MONITOR OUT A–D jacks.
- MONITOR OUT A–D output switches
- Select the signals output from the MONITOR OUT A–D jacks.
MASTER: The MASTER signals are output.
–
: Signals set for SEND A–D are output.
- MONITOR OUT A–D device switches
- These set the type of output device (headphones or a line device such as a powered monitor).
: Use this when connecting headphones (stereo signals will be output).
: Use this when connecting a powered monitor or another line device (balanced mono signals will be output).
- MONITOR OUT (PHONES) jack
- The MASTER OUT, SEND A–E or SOLO signals can be selected for output.
- MONITOR OUT (PHONES) knob
- Use this to adjust the volume of the audio output from the MONITOR OUT (PHONES) jack.
- MONITOR OUT (PHONES) output switch and indicator
- Select the audio output from the MONITOR OUT (PHONES) jack.
Press this to cycle through the options. (The selected output lights.)
When a SOLO button is activated, SOLO will be selected automatically. At such times, changing the output with the MONITOR OUT (PHONES) output switch will cancel soloing.
Overdubbing section
- Channel selection buttons
When overdubbing mode is on, these switch each channel between playback and recording.
Select a channel to assign a file to it.
- FILE SELECT button
- The Menu Screen will open when assigning files to channels.
- MIX DOWN button
- A final stereo mix can be recorded to the master track.
- AUTO PUNCH I/O button
- Parts of already recorded tracks can be re-recorded.
Punch in: The operation of switching a track from playback to recording.
Punch out: The operation of switching a track from recording to playback.
- OVERDUB MODE button
Lit (on)
: Overdubbing mode is on.
The current project will be overwritten when recording. Recorded files on each channel can be played back and specified channels can be recorded.
Unlit (off)
: Overdubbing mode is off.
A new project will be created each time recording is started.
Scene section
- Number buttons (1–10)
- Use these to save and recall L12next mixer settings.
- SAVE button
- Use this when saving the current mixer settings to a scene.
- RESET button
- Default mixer settings are saved.
RESET can recall a saved scene with the factory default mixer settings.
- RECALL button
- Use this to load scenes saved to number buttons 1–10.
- DELETE button
- Use this to delete scenes saved to number buttons 1–10.
Recorder section
- STOP button
- This stops recording/playback.
- RECORD button and indicator
- This starts recording.
This indicator lights red when recording.
- PLAY/PAUSE button/indicator
- This starts and pauses file playback.
This indicator lights green when recording or playing back.
- REWIND button
- When playing back or paused, this moves to the previous project.
Press and hold this to search backward.
If there are marks, this will move to the previous one.
- FAST FORWARD button
- When playing back or paused, this moves to the next project.
Press and hold this to search forward.
If there are marks, this will move to the next one.
Back
- Power switch
- This turns the power on/off.
- DC 12V AC adapter connector
- Connect the dedicated AC adapter (ZOOM AD-19) here.
- USB port (Type-C)
- Connected to a computer, smartphone or tablet, the following uses are possible.
Use the file transfer function (computer only)
Use the L12next as an audio interface
Control the L12next using MIDI functions
- microSD card slot
- Insert a microSD card here.
- REMOTE connector
- Connect a ZOOM BTA-1 or another dedicated wireless adapter here.
This enables wireless operation of the L12next from an iPad using a dedicated app.
- CONTROL IN connector
- Connect a footswitch (ZOOM FS01) here.
The footswitch can be assigned to one function: starting/stopping recorder playback, manually punching in/out or muting/unmuting the internal effect.
- Kensington Security Slot
- The L12next can be secured using an attachment with a wire or a chain.
Overview of screens that appear
In this section, we explain the screens shown on the display of the L12next.
Home Screen
This screen appears on the display when the L12next power is turned on. It shows the project name, recording/playback status and counter.
- Project name
- This shows the name of the selected project.
- Counter
- This shows the time in hours, minutes and seconds.
This can also be switched to show bars, beats and ticks (which are shorter than beats). (→ Changing the counter display)
- Status icon
: Stopped
: Paused
: Recording
: Playing back
- Progress bar
- The progress bar shows the amount of time from the beginning to the end of the project.
The remaining available recording time will be shown when recording in a project for the first time.
- Longest file time in project
- This shows the length of the longest file in the project.
The remaining available recording time will be shown when recording in a project for the first time.
Menu Screen
When the Home Screen is open, press the (MENU) button to open this.
Use this to make various settings, for example.
- Menu title
- Menu items
- This shows setting items and setting values, for example.
- Selected setting item
- This appears highlighted.
- Scrollbar
- This will appear when a list has more items than will fit on the display.
Using the Menu Screen
■ Returning to the Home Screen Press the |
Connection example
- Guitar, bass, etc. (→ Connecting guitars and basses)
- When using a passive guitar or bass, connect it to a MIC/LINE input jack (1 or 2), and turn the
(Hi-Z) switch on.
- Mics for lead and backing vocals and drums, for example (→ Connecting mics)
- Connect them to MIC/LINE (1–8) input jacks. For condenser mics and other devices that require phantom power, turn the
(48V) switch on.
- Synthesizers and other instruments (→ Connecting synthesizers and effects)
- Connect them LINE (9/10, 11/12) input jacks. When connecting them to MIC/LINE (1–8) input jacks, turn the
(PAD) switch on.
- Powered monitors and PA systems, for example (MASTER outputs) (→ Connecting headphones, powered monitors and mixers)
- This outputs stereo audio mixed by the L12next.
- Headphones, powered monitors, for example (MONITOR outputs) (→ Connecting headphones, powered monitors and mixers)
- The 4 A–D MONITOR output jacks can each output different mixes.
- External effect (→ Making monitoring settings)
- Connect a MONITOR OUT (A–D) jack to the input jack of the effect device, and connect the output jacks of that device to L12next LINE input jacks (9/10 or 11/12).
- Headphones (→ Connecting headphones, powered monitors and mixers)
- This output can be switched between SEND A–D, MASTER and SOLO.
- AC adapter (→ Turning on the power)
- Computer, smartphone or tablet (→ Connecting computers, smartphones and tablets)
- Use the file transfer function to exchange files, and use the audio interface function to input and output audio.
The L12next can also be controlled using MIDI functions.
- ZOOM BTA-1 or another dedicated wireless adapter (→ Controlling from an iPad)
- The L12next can be controlled from an app by wirelessly connecting it to an iPad.
- Footswitch (ZOOM FS01) (→ Using a footswitch)
- The footswitch can start/pause playback, manually punch in/out or mute/unmute the internal effect.
Signal flow
- Hi-Z/PAD/GAIN
Hi-Z: Turn these on when directly connecting passive guitars and basses.
PAD: These attenuate input signals by 26 dB.
GAIN: These adjust the gains of input audio signals.
- Talkback mic (yellow)
- Audio can be input through the built-in talkback mic of the L12next.
- Compressor
- Compressors can be applied to the inputs of channels 1–8, 9/10 and 11/12.
- USB output (dark blue) / USB input (light blue)
USB output: When in use as an audio interface, these signals are output from the computer, smartphone or tablet.
USB input: When in use as an audio interface, these signals are input to the computer, smartphone or tablet.
The USB input position can be set to before or after the compressor. (→ Setting whether signals are recorded before or after compression)
- Recording files (red)
- Channel inputs 1–8, 9/10, 11/12 and the master outputs are recorded on the microSD card.
The files for each channel can be set to be recorded before or after the compressor. (→ Setting whether signals are recorded before or after compression)
The master volume and compressor/limiter on/off states affect MASTER recording files so be aware when adjusting the master volume and compressor on/off state during playback.
- Low cut
- This cuts low frequencies, reducing noise.
- Equalizer
- The equalization of channels 1–8, 9/10 and 11/12 can be adjusted.
- PHASE
- The polarities of channels 1–8, 9/10 and 11/12 can be inverted.
- MONITOR outputs (orange)
- Signals can be output from the following MONITOR output jacks. The levels sent from each channel can be adjusted.
SEND A: MONITOR OUT A and/or PHONES jacks
SEND B: MONITOR OUT B and/or PHONES jacks
SEND C: MONITOR OUT C and/or PHONES jacks
SEND D: MONITOR OUT D and/or PHONES jacks
SEND E: MONITOR OUT (PHONES) jack
The output positions can be switched to after the channel faders. (→ Setting the positions where channel signals are sent to monitor outputs)
- Solo (purple)
- These allow the pre-fader signals of channels 1–8, 9/10 and 11/12 to be heard from the MONITOR OUT (PHONES) jack.
- MUTE
- Audio from channels 1–8, 9/10 and 11/12 can be muted.
- VOLUME
- The levels of channels 1–8, 9/10 and 11/12 can be adjusted.
- EFX (green)
- Signals can be sent to the internal effect. The effect can be selected from 16 types, and the level sent from each channel can be adjusted.
- PAN
- The stereo positions of channels 1–8, 9/10 and 11/12 can be adjusted.
- MASTER L/R (black)
- Signals are output to the MASTER.
- MASTER compressor, level and limiter
COMP: Compression can be applied to the MASTER audio.
VOLUME: Adjust the level sent to the MASTER.
MUTE: The MASTER audio can be muted. The mute position can be changed. (→ Setting the master mute position)
LIMITER: A limiter can be applied to the MASTER audio.
- Master equalizer
- MASTER equalization can be adjusted. (This is only possible using the dedicated L12next Control app.)
- Monitoring source switches
- Use these to select the signals output from the monitoring jacks.
- Monitoring volumes
- Use this to adjust the volume of the audio output from the monitoring jacks.
Making preparations
Inserting microSD cards
By inserting a microSD card, the sound input on each channel as well as a stereo mix can be recorded.
Projects are saved on microSD cards and can be easily recalled.
Making connections
Connecting mics
Connect dynamic and condenser mics with XLR plugs to the MIC/LINE input jacks (channels 1–8).
Phantom power (+48V) can be supplied to condenser mics. To supply phantom power, press the
(48V) switch so that it lights.
Turn the
(Hi-Z) switches off (
). (Turn these on when connecting passive guitars or bass guitars). (→ Connecting guitars and basses)
If a
(signal) indicator lights red, adjust the gain so that it stops lighting red. (→ Adjusting channel gain, using compression and reducing noise (low cut))
If the
(signal) indicator still lights red even when the gain is minimized, turn the
(PAD) switch on (
) and adjust the gain again.
If the gain is too low, boost can be used to raise it 10 dB. (→ Boosting gain)
When connecting devices that are not compatible with phantom power, do not turn on the phantom setting. Doing so could damage those devices.
Phantom power is a function that supplies power to devices that require an external power supply, including condenser mics.
+48 V is standard.
Connecting guitars and basses
Connect passive guitars and basses to the channel 1 and 2 MIC/LINE input jacks.
Turn the (Hi-Z) button on (
).
If a (signal) indicator lights red, adjust the gain so that it stops lighting red. (→ Adjusting channel gain, using compression and reducing noise (low cut))
Connecting synthesizers and effects
Synthesizers, effects and other line-level devices can be connected to MIC/LINE (channels 1–8) and LINE (channels 9/10 and 11/12) input jacks.
The MIC/LINE (channels 1–8) jacks are mono inputs, and the LINE (channels 9/10 and 11/12) jacks are stereo inputs.
Connecting to MIC/LINE input jacks (channels 1–8)
Mono devices can be connected to each input with TRS or TS plugs.
Phantom power (+48 V) can be supplied. To supply phantom power, press the
(48V) switch so that it lights.
Connecting to LINE input jacks (channels 9/10, 11/12)
Connect stereo devices to the L/R jacks of each input. These can be used with TS plugs.
Connect mono devices to the L (MONO) jacks.
If a
(signal) indicator lights red, adjust the gain so that it stops lighting red. (→ Adjusting channel gain, using compression and reducing noise (low cut)) Adjust them so that the
(signal) indicators do not light red.
If the
(signal) indicator still lights red even when the gain is minimized, turn the
(PAD) switch on (
) and adjust the gain again.
When connecting devices that are not compatible with phantom power, do not turn on the phantom setting. Doing so could damage those devices.
Connecting headphones, powered monitors and mixers
Stereo audio that is a mix of every channel can be output from the MASTER OUT jacks.
Input sounds can also be monitored by connecting headphones and powered monitors to the MONITOR OUT (A–D and PHONES) jacks.
- Powered monitors or mixer connected to the MASTER OUT jacks
- MASTER OUT signals are output.
- Powered monitors and headphones connected to the MONITOR OUT (A–D) jacks.
- As outputs for performers, either the MASTER signals or audio mixed individually for each performer for their monitoring can be output from these.
Use the
(MONITOR OUT (A–D)) output switches to select the signals output (MASTER OUT or SEND A–D).
The levels of each channel can be set separately for the SEND A–D signals. (→ Making monitoring settings)
Use the
(MONITOR OUT A–D device) switches to set the type of output device (
for headphones or
for a powered monitor or another line device).
: Stereo signals will be output.
: Balanced mono signals will be output.
- MONITOR OUT (PHONES) jack
- This output designed for the operator allows monitoring of each output as well as SOLO signals. This is convenient for allowing the operator to mix while checking the monitor mixes of each performer. In addition, using the PHONES jack as MONITOR E, a dedicated mix can be prepared in the same way as with the other MONITOR OUT jacks.
Use the
(MONITOR OUT (PHONES) output) switch to select the signal output (MASTER OUT, SEND A–E or SOLO).
The levels of each channel can be set separately for the SEND A–E signals. (→ Making monitoring settings)
SOLO outputs the channels set to SOLO. (→ Selecting specific channels for monitoring (solo))
Connecting computers, smartphones and tablets
Computers, smartphones and tablets can be connected to the USB port.
- Smartphone/tablet (USB Type-C)
- iPhone/iPad (Lightning)
- Computer (Windows/Mac)
Use a USB cable that supports data transfer.
Use a Lightning to USB 3 Camera Adapter to connect to an iOS/iPadOS device with a Lightning connector.
By connecting the L12next to a computer, smartphone or tablet, the following uses are possible.
L12next input sounds can be sent to a computer, smartphone or tablet and playback signals from that device can be output from the L12next. (→ Using as an audio interface)
Files on the microSD card in the L12next can be checked and moved using a computer. (→ Transferring files to computers and other devices)
MIDI signals can be exchanged with DAWs and other software on computers, smartphones and tablets and used to control the L12next. (→ Using MIDI functions to control the L12next)
Turning the power on/off
Turning on the power
Turning off the power
Setting the date and time (first startup)
Set the date and time when the Date/Time Setting Screen appears on the display the first time the power is turned on after purchase or when turning the power on after the L12next has been reset to factory defaults.
The date and time will be used as the name of the folder where recording files are saved (project name).
Mixing input signals
Input signal mixing process
Follow these steps to mix input signals on the L12next.
Refer to the linked sections for detailed information about each procedure.
Adjusting channel gain, using compression and reducing noise (low cut)
Boosting gain
Boost can be used to raise the gain by 10 dB if it is too low, for example, when using a mic with extremely low sensitivity.
Adjusting channel EQ
Frequency bands can be boosted/cut to adjust the tones of each channel.
Adjusting channel panning
Adjusting channel levels
When set fader positions are different from physical channel fader positions
The set fader positions and physical channel fader positions could be different after scenes are recalled and projects are loaded, for example.
Press the (FADER POSITION) button to check the fader positions on the level meters.
- Channel fader position
- Set fader position
Setting how level changes are applied when channel faders are operated
When the set fader positions and physical channel fader positions are different, how level changes are applied when channel faders are operated can be set.
Muting channels
Selecting specific channels for monitoring (solo)
Specific tracks can be selected to listen to only their signals.
Inverting channel polarity
When mixing multiple mics, for example when recording drums, phase cancellation can occur, interfering with sound clarity and weakening low frequencies.
In this case, inverting the polarity could resolve this problem.
Using internal effects
The internal effects of the L12next can be used on every channel.
Internal effect list
| Effect name | Explanation | Parameters that can be adjusted | Tempo sync | |
|---|---|---|---|---|
| Hall 1 | Hall reverb with a bright tone | TONE | DECAY | |
| Hall 2 | Hall reverb with a long time for early reflections | TONE | DECAY | |
| Room 1 | Room reverb with coarse reflections | TONE | DECAY | |
| Room 2 | Dense room reverb | TONE | DECAY | |
| Plate | Plate reverb simulation | TONE | DECAY | |
| Church | Reverb that simulates the sound of a church | TONE | DECAY | |
| DrumAmb | Reverb that adds a natural ambience (air sound) to drums | TONE | DECAY | |
| GateRev | Special reverb suited to percussive performances | TONE | DECAY | |
| Spring | Spring reverb simulation | TONE | DECAY | |
| Delay | Digital delay with a clear tone | TIME | FEEDBACK | Yes |
| Analog | Warm analog delay simulation | TIME | FEEDBACK | Yes |
| P-P Dly | Effect that outputs delay sound alternately left and right | TIME | FEEDBACK | Yes |
| Vocal 1 | Effect that combines delay with hall reverb useful in many situations | TIME | DECAY | Yes |
| Vocal 2 | Effect that combines delay with mono output reverb | TIME | DECAY | Yes |
| Vocal 3 | Effect that combines delay suitable for ballads with plate reverb | TIME | DECAY | Yes |
| Vocal 4 | Effect suitable for rock that combines delay with room reverb | TIME | DECAY | Yes |
TONE adjusts the tone.
TIME adjusts the delay time.
DECAY adjusts the reverb duration.
FEEDBACK adjusts the amount of feedback.
Setting the internal effect muting position
The muting position of the internal effect can be set to either before or after the signal passes through it.
By setting the muting position of the internal effect to before the signal passes through it, reverberations can continue even after the effect is muted.
Adjusting the overall volume
Use the MASTER fader to adjust the audio level output from the MASTER OUT jacks in a range from −∞ to +10 dB.
Use the level meters to confirm the levels output from the MASTER output jacks. Adjust it so that they do not light red.
Press the
(MUTE) button, lighting it, to mute the MASTER audio. Since the mute position can be changed, the audio can be checked using headphones even while speakers connected to the MASTER OUT jacks are muted. (→ Setting the master mute position)
Press the
(COMP) button, lighting it, to increase the sound pressure of the MASTER audio. (→ Using the master compressor)
A limiter can be used on the MASTER audio to prevent clipping. (→ Using the master limiter)
Using the master compressor
A compressor can be used on the MASTER audio to increase the sound pressure.
Using the master limiter
A limiter can be used on the MASTER audio to prevent clipping.
Setting the master mute position
The master mute position can be set before or after the fader.
The audio can be checked using headphones even while speakers connected to the MASTER OUT jacks are muted.
Making monitoring settings
MASTER OUT and SEND A–E signals can be monitored by headphones and powered monitors connected to the MONITOR OUT jacks.
Separate mixes can be adjusted for SENDS A–E. This is convenient for outputting individual monitoring mixes that have been tailored for different performers.
- MONITOR OUT (A) jack
- This outputs SEND A or MASTER OUT signals to headphones or a powered monitor.
- MONITOR OUT (B) jack
- This outputs SEND B or MASTER OUT signals to headphones or a powered monitor.
- MONITOR OUT (C) jack
- This outputs SEND C or MASTER OUT signals to headphones or a powered monitor.
- MONITOR OUT (D) jack
- This outputs SEND D or MASTER OUT signals to headphones or a powered monitor.
- MONITOR OUT (PHONES) jack
- This outputs SEND A–E, MASTER OUT or SOLO signals to headphones.
An external effect can be used with any and all channels by connecting a MONITOR OUT (A–D) jack to the input jack of that effect device, and connecting its output jacks to open input jacks on the L12next.
Adjusting the SEND A–E mixes
Whether or not the signals sent from each channel to SEND A–E are affected by the channel faders can be set. (→ Setting the positions where channel signals are sent to monitor outputs)
The MONITOR OUT (PHONES) jack allows adjustments to be made while monitoring the mix of the desired SEND.
Setting the positions where channel signals are sent to monitor outputs
Whether or not the signals sent from each channel to SEND A–E are affected by the channel faders can be changed by setting their send positions to before or after the channel faders.
Making MONITOR OUT (A–D) jack settings
The MONITOR OUT (A–D) jacks are primarily designed as monitoring outputs for performers.
Their output signals can be selected (MASTER or a monitor mix) and their volumes adjusted.
Headphones and powered monitors, for example, can be connected and output can be set according to the connected equipment.
- Adjust the levels of the MONITOR OUT (A–D) jacks
- Select the signals output from the MONITOR OUT (A–D) jacks
MASTER: Output the same mix as the MASTER.
/
/
/
: Output the SEND A–D mix.
- Select the equipment connected to the MONITOR OUT (A–D) jacks
: Connect headphones. (A stereo signal will be output.)
: Connect a powered monitor or another line device. (A balanced mono signal will be output.)
Making MONITOR OUT (PHONES) jack settings
The MONITOR OUT (PHONES) jack is primarily designed for monitoring by the operator.
MASTER, SEND A–E or SOLO channels can be selected for monitoring and the volume of that signal can be adjusted.
- Adjust the levels of the MONITOR OUT (PHONES) jack
- Select the signals output from the MONITOR OUT (PHONES) jack
- Press the
(MONITOR OUT (PHONES) output) switch to light the output signal, selecting it.
: Output the same mix as the MASTER.
/
/
/
/
: Output the SEND A–E mix.
: Output the channels set to SOLO.
NOTEWhen a SOLO button is activated, SOLO will be selected automatically. Changing to a different output will cancel soloing.
Adjusting the internal effect return level
The internal effect levels returned to the MONITOR OUT (A–D, PHONES) jacks can be adjusted separately for each of them.
This is useful to, for example, apply reverb only to the mix of specific performers.
Using scene functions
Current mixer settings can be saved in 10 scenes and these saved settings can be recalled at any time.
Saving scenes
Recalling scenes
Deleting scenes
Resetting scenes
The mixer settings can be restored to their default states.
Saved scenes are retained as is, conveniently enabling mixes and settings to be returned to their original state.
Recording and playback (overdubbing mode)
The functions available during recording and playback with the L12next depend on whether overdubbing mode is on or off.
■ When overdubbing mode is off
A new project will be created when recording is started.
Recording: Press the
(RECORD) button to create a new project and start recording on all channels. (→ Recording)
Playback: Press the
(PLAY/PAUSE) button to start playback of all channels. (→ Playing files)
The MASTER channel can also be played back. (→ Playing MASTER channel files)
■ When overdubbing mode is on
The current project will be overwritten when recording.
Already recorded channels can be mixed.
Recording or playback can be selected for each channel. (→ Recording, Playing files)
Specific channels can be re-recorded while playing files on other channels. (→ Overdubbing)
Parts of already recorded tracks can be re-recorded. (→ Redoing parts of recordings (punching in/out))
Audio files can be assigned to channels. (Assigning files as desired to channels)
After mixing is complete, projects can be rendered as stereo files. (→ Mixing down)
■ Turning overdubbing mode on and off
When the Home Screen is open, press the (OVERDUB MODE) button, lighting it (
), to turn on overdubbing mode.
Press it again, extinguishing it (), to turn it off.
Recording
By installing a microSD card in the L12next, audio from every channel (1–8, 9/10, 11/12) as well as a mix of all channels (MASTER) can be recorded.
Recorded files are saved in the following format
Sample rate: The sample rate used for saving is as explained in "Setting the sample rate”. (44.1 kHz, 48 kHz or 96 kHz)
Bit depth: The bit depth for saving is as explained in “Setting the recording format”. (16-bit or 24-bit for individual channels and 16-bit, 24-bit or 32-bit float for the master channel)
Channels 1–8: mono files, channels 9/10, 11/12 and MASTER: stereo files
For details about recorded files, see “Managing files“.
Recording
Making recording settings
Setting the recording format
The bit depth used for recording WAV files can be set.
By using 32-bit float to record the Master, even if the mix level is high enough to clip, audio without clipping can still be recorded. (→ 32-bit float WAV file overview)
Setting whether signals are recorded before or after compression
Whether or not compression is applied to the recorded signal can be set by selecting the signal routing used when recording (before or after compression).
For details about signal routing, see “Block diagram”.
Playing files
Conducting playback
Playing MASTER channel files
Projects can be selected and their master files can be played.
When a project that has already been mixed down is selected, the mixdown file can be played. (→ Mixing down)
Setting the play mode
The playback mode can be set.
Using marks
Adding marks during recording and playback enables moving to their positions with simple operations.
Adding marks during recording and playback
A maximum of 99 marks can be added to a single project.
Moving to mark positions
- Press the
(REWIND) or
(FAST FORWARD) button.
(REWIND) button: This returns to the previous mark.
(FAST FORWARD) button: This advances to the next mark.
A mark can be deleted by pressing the (selection) knob when at that mark position.
Deleting marks
Mixing already recorded channels
While playing back files that have already been recorded on channels, their tones, panning, internal effect use and levels, for example, can be adjusted, and they can be mixed down to a stereo file.
Specific channels and parts can be re-recorded, and audio files on the microSD card can be assigned to channels.
Process for mixing already recorded channels
Follow these steps to mix already recorded channels on the L12next.
See the linked sections for details about parameters.
- Select the desired project for mixing. (→ Selecting projects)
- When the Home Screen is open, press the
(OVERDUB MODE) button, lighting it, to turn on overdubbing mode.
- Press the
(channel selection) buttons for the channels you want to play, lighting them green.
- Press the
(PLAY/PAUSE) button to start playback. Then, adjust the parameters for each channel, including tone, panning, internal effect, and level, to mix them.
Use playback functions: Conducting playback
Use the compressor and low cut functions: Adjusting channel gain, using compression and reducing noise (low cut), Setting whether signals are recorded before or after compression
Adjust the EQ: Adjusting channel EQ
Adjust panning: Adjusting channel panning
Adjust levels: Adjusting channel levels
Invert polarities: Inverting channel polarity
Use internal effects: Using internal effects
Adjust overall volume: Adjusting the overall volume, Using the master compressor, Using the master limiter
Adjust monitoring: Making monitoring settings
- Overdub if there are channels that you want to re-record. (→ Overdubbing)
- Punch in/out if there are recorded channels that you want to re-record parts of. (→ Redoing parts of recordings (punching in/out))
- Replace audio files with ones stored on the microSD card as necessary. (→ Assigning files as desired to channels)
- When done mixing, mix down to a stereo file. (→ Mixing down)
Overdubbing
Specific channels can be re-recorded while playing files on other channels.
Redoing parts of recordings (punching in/out)
“Punching in/out” is a function that can be used to re-record parts of already recorded tracks. "Punching in" is switching track status from playback to recording. "Punching out" is switching track status from recording to playback.
With the L12next, punch in/out points can be set, enabling automatic punching in/out.
In addition, punching in/out can be done manually using recording buttons or a footswitch (ZOOM FS01) during playback.
Punching in/out manually
Punching in/out automatically
Assigning files as desired to channels
Audio files saved in other projects and on the microSD card can be assigned to channels in the selected project.
To load audio files from a microSD card, first use a computer to store the files on the card in any directory other than the PROJECT folder. (→ Transferring files to computers and other devices)
The following audio file types are supported.
File format: WAV
Sample rate: 44.1/48/96 kHz
Bit depth: 16-bit/24-bit/32-bit float
Channels: mono/stereo
The sample rate of the audio files must match the sample rate of the project.
Channels 1–8 can have mono files assigned to them. The 9/10, 11/12 and MASTER channels can have stereo files assigned to them.
Audio files cannot be assigned to projects when Protection is On for them. (→ Protecting projects)
Mixing down
After mixing is complete, projects can be rendered as stereo files.
When a mixdown is executed, it will be saved as a file named “MASTER.wav” inside the project.
When a mixdown is executed, if a file named “MASTER.wav” already exists inside the project, that file will be renamed “MASTER_BACKUPxx.wav”.
Using the metronome
The L12next metronome has adjustable volume, a selectable sound, and a precount function. The volume can also be adjusted separately for each output.
Metronome settings are saved separately with each project.
Enabling the metronome
Setting when the metronome plays
Setting the metronome tempo
Setting the precount
A metronome count can be sounded before starting recording/playback.
Changing the metronome sound
Changing the metronome meter
Setting the metronome volume
The metronome volume can be adjusted separately for the MASTER OUT and MONITOR OUT A–E outputs.
Using the talkback mic
Using the built-in talkback mic of the L12next, sound can be sent to each MONITOR OUT jack.
The volume of the talkback mic can be adjusted separately for each MONITOR OUT. This is helpful when communicating with performers who are monitoring using headphones, for example.
When the talkback mic is activated, signals from line input jacks 11/12 are muted.
When the talkback mic is activated, the channel strip for channels 11/12 switches to being dedicated to talkback mic settings.
Managing projects
The L12next manages recording and playback data in units called projects.
In addition to changing their names, projects can be copied, deleted or protected to prevent unwanted changes.
The following data is saved in projects.
Overdub mode on/off, track recording/playback settings, project protection, marks, mark numbers, project sample rate, auto punch in/out settings, metronome on/off, metronome sound, metronome click, metronome tempo, metronome volume, metronome precount, mute, fader, gain, comp, EQ, phase, pan, monitor send level, EFX send level, USB on/off (channels 9/10,11/12), monitor send position (pre/post fader), channel names, channel colors, mute position (pre EFX/post EFX), monitor send level, EFX type, EFX parameters 1/2, gain boost, master comp, master limiter on/off
Creating projects
New projects can be created.
When overdubbing mode is off, starting recording will automatically create a new project. (→ Recording and playback (overdubbing mode))
Selecting projects
Projects saved on the microSD card can be selected.
Deleting projects
Projects saved on the microSD card can be deleted.
Changing project names
The name of the selected project can be changed.
During project name input, use
to select “Cancel” and press
to cancel the project name change and return to the original screen.
The default project name is the date and time of creation.
For example, if a project was created at 6:48:20 p.m. on March 14, 2025, the project name would be "250314_184820" (YYMMDD_HHMMSS).
Project names have 13 characters.
The following characters can be used in project and file names.
(space) ! # $ % & ' ( ) + , - 0 1 2 3 4 5 6 7 8 9 ; = @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
[ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { ~ }
Projects can be ordered numerically or alphabetically.
Project/file names cannot be only spaces.
The project name is the same as the project folder name on the microSD card.
Protecting projects
The currently selected project can be write-protected, preventing the project from being saved, deleted or having its content changed.
Copying projects
The selected project can be copied and saved with a different project name.
Deleting files in projects
Audio files in the selected project can be deleted.
Managing files
Files created on the L12next are saved on the microSD card.
Recording files on the microSD card can be checked and deleted.
L12next folder and file structure
The following types of files are created when recording with a microSD card that was formatted by the L12next.
- Project saving folder
- Files recorded by the L12next, mixer settings and other data are saved here in project units.
- Project folders
- These are created every time recording occurs. These folders are named with a “date_time” format. Folder names can be changed. (→ Changing project names)
The mono and stereo files created are saved in these.
- System file
- This is a system file used by the L12next. Do not delete it.
- Recording files
- See “Naming of project file folders and files” for details about recording file names.
The recording files for each channel, a stereo files that is a mix of all channels, and project settings are saved as follows.
Channels 1–8: Mono files are saved for each channel.
Channels 9/10, 11/12: Stereo files are saved for each channel.
Master channel: Stereo files are saved.
File with saved project settings. This is saved with the name “L12nextPRJDATA.zdt”.
Naming of project file folders and files
Numerical dates and times of recording are used for the names of project folders.
| Project folder name example | Explanation |
|---|---|
|
File are named with the following format.
| File name example | Explanation |
|---|---|
|
If the file size would exceed 2 GB, a new file will be created automatically and recording will continue without pause. New files created in such cases will have “_001” – “_999” added to the ends of their names.
Using as an audio interface
Signals input to the L12next can be sent to a computer, smartphone or tablet and playback signals from that device can be output from the L12next.
No driver is necessary for use with smartphones, tablets or Mac computers.
To operate the L12next at 32-bit float with a Mac, see “Using with Mac computers”.
To record with a DAW application on Windows, see “Using with Windows computers”.
Connecting to computers, smartphones and tablets
Using with Mac computers
The format used by the L12next for data transfer can be selected on the Mac.
Using with Windows computers
Installing the driver
Making driver control panel settings
Setting signal input and output with computers and other devices
The signals input and output with the computer, smartphone or tablet can be set.
Selecting the mix sent to the computer or other device
Master or Monitor A–E can be selected as the Mix L/R audio sent to the computer, smartphone or tablet.
By changing the mix sent to the master mix and the computer, smartphone or tablet, when streaming live music, for example, the Master can be used as the mix output through the venue speakers, and Monitor A can be a mix tailored for streaming that includes other sound from the location.
Setting the USB Mix Minus function
When using the L12next as an audio interface and communicating with a remote participant, sound input from the computer, smartphone or tablet can be canceled from the MASTER L/R signal when transmitting it to prevent feedback to that participant.
Inputting audio output from a computer, smartphone or tablet on channels 9/10 and 11/12
Channels 3/4 from the computer, smartphone or tablet cannot be used when the mode is set to “Stereo Mix” as explained in “Setting signal input and output with computers and other devices”.
The input positions on the L12next can be set to before or after the compressor. (→ Setting whether signals are recorded before or after compression)
Transferring files to computers and other devices
By connecting the L12next with a computer, smartphone or tablet, files on the microSD card can be checked and moved.
Connecting to computers, smartphones and tablets
When in file transfer mode, mixer operations are disabled.
Disconnecting from computers, smartphones and tablets
Using a footswitch
If a footswitch (ZOOM FS01) is connected to the L12next, foot operation can start/stop recorder playback, manually punch in/out or mute/unmute the send effect.
Managing microSD cards
Formatting microSD cards
To maximize the performance of a microSD card, use the L12next to format it.
Testing microSD card performance
The writing speed of microSD cards can be tested to check if performance is good enough to save data recorded by the L12next.
A Quick Test can be done in a short amount of time, while a Full Test examines the entire microSD card.
Conducting a quick test
Conducting a full test
Making various settings
Setting the sample rate
The sample rate can be set. This same setting is applied to recording files, mixer operation and audio interface use.
Setting the date and time
The date and time can be set.
The date and time will be used as the name of the folder where recording files are saved (project name), for example.
Turning the power off automatically (Auto Power Off)
The power will automatically turn off if the L12next is unused for 10 hours.
To keep the power on at all times, set Auto Power Off to “Never”.
Setting the display brightness
The brightness of the display can be adjusted.
Activating the display protection function
In order to prevent display burn-in, the display can be set to dim if no operation is conducted for a specific amount of time.
Changing the counter display
Restoring factory default settings
The L12next settings can be restored to their factory defaults.
Managing the firmware
Checking firmware versions
The firmware versions used by the L12next can be checked.
Updating the firmware
The L12next firmware can be updated to the latest versions.
Files for the latest firmware updates can be downloaded from the ZOOM website (zoomcorp.com/help/l12next).https://zoomcorp.com/help/l12next
Follow the instructions in the “L12next Firmware Update Guide” on the L12next download page.
Controlling from an iPad
The L12next can be operated from an iPad by connecting a BTA-1 or another dedicated ZOOM wireless adapter (sold separately) and using L12next Control, the dedicated controller app.
Download the L12next Control app from the App Store.
Checking the latest information for the L12next
A 2D code for help related to the L12next can be shown on its display.
Appendix
Troubleshooting
If the L12next seems to be operating strangely, check the following items first.
Mixing/recording/playback trouble
There is no sound or output is very quiet
Confirm connections with all jacks. (→ Making connections)
Check the gain settings and mic orientations as well as the level settings of connected equipment. (→ Adjusting channel gain, using compression and reducing noise (low cut))
Confirm that the levels of the MASTER and MONITOR outputs are not too low. (→ Adjusting the overall volume, Making MONITOR OUT (A–D) jack settings)
Check the levels of each channel. (→ Adjusting channel levels)
Check the phantom power setting. (→ Connecting mics)
Check the channel and master mute settings. (→ Muting channels)
When using a passive guitar or bass, connect it to a MIC/LINE input jack (1 or 2) and turn
on. (→ Connecting guitars and basses)
Monitored sound is distorted
Confirm that the highest segments of the level meters are not lighting. If they are lighting, use the channel and master faders to adjust their levels. (→ Adjusting channel levels, Adjusting the overall volume)
Use the
(MONITOR OUT A–D) and
(MONITOR OUT PHONES) knobs to adjust monitoring volumes. (→ Making MONITOR OUT (A–D) jack settings)
Confirm that
(signal) indicators are not lighting red. If they are lighting, adjust the gain (Adjusting channel gain, using compression and reducing noise (low cut)), reduce the levels of connected equipment, and adjust the positions and orientations of mics.
There is no monitoring sound or it is very quiet
Confirm the mixes of each output. (→ Adjusting the SEND A–E mixes)
Check the monitoring volumes and switch settings. (→Making MONITOR OUT (A–D) jack settings)
Recording is not possible
Confirm that the microSD card has open space.
Confirm that a microSD card is loaded properly in the card slot. (→ Inserting microSD cards)
When in overdubbing mode, confirm that the channel select button is lit red.
If project protection is on, turn it off. (→ Protecting projects)
“Write Error” appears and recording is not possible / stopping recording takes too much time
microSD cards can become worn out. Speed can decrease after repeated writing and erasing.
Formatting the card with the L12next might improve this. (→ Formatting microSD cards)
If formatting a microSD card does not improve this, we recommend replacing the card. Please check the list of cards that have been confirmed to work on the ZOOM website.
This is not a guarantee of specific recording performance for microSDHC/SDXC cards that have been confirmed to work. This list is provided as a guide to help find suitable cards.
Playback sound cannot be heard or is quiet
When in overdubbing mode, confirm that the channel select button is lit green.
Raise the faders on the playback channels, and confirm that the level meters are lit.
Internal effects are not working
Raise the EFX RETURN fader and confirm that the level meters are lighting.
Check the mute setting of the Send effect section.
Check the levels sent from each channel to the internal effect. (→ Using internal effects)
There is no sound or output is very quiet from MONITOR OUT A–E
Confirm the mixes of each output. (→ Adjusting the SEND A–E mixes)
Confirm that the output volume of each output is raised (MONITOR OUT A–D and PHONES knobs). (→ Making MONITOR OUT (A–D) jack settings, Making MONITOR OUT (PHONES) jack settings)
Check the MONITOR OUT A–D and PHONES output switch settings. (→ Making MONITOR OUT (A–D) jack settings, Making MONITOR OUT (PHONES) jack settings)
Audio interface trouble
Sound skips during playback or recording
If the audio buffer size of the software being used can be adjusted, increase the buffer size.
Connect the L12next directly to a USB port on the computer. Do not connect it through a USB hub.
Turn the automatic sleep function and other computer power saving settings off.
Cannot play or record
Confirm that the L12next is connected to the computer correctly.
Confirm that the Sound setting of the computer being used is set to "ZOOM L12next".
Confirm that the L12next is selected for input and output in the software being used.
Confirm that the
(USB AUDIO RETURN 1-2) or
(USB AUDIO RETURN 3-4) button is lit red and the level meters are lit. (→ Inputting audio output from a computer, smartphone or tablet on channels 9/10 and 11/12)
Quit all the software that is using the L12next, and disconnect and reconnect the USB cable connected to it.
Other trouble
Not recognized by a computer, smartphone or tablet even though the USB port is connected to it
Use a USB cable that supports data transfer.
The operation mode must be set on the L12next to allow the computer, smartphone or tablet to recognize it. (→ Transferring files to computers and other devices)
Even if “L12next” cannot be selected for the “Sound” setting on a computer, it can still be used as a 32-bit float audio interface by selecting “L12next” as the “Audio” or “Input/Output” device in an application that supports 32-bit float format.
A driver is necessary to use 32-bit float format with Windows. The driver can be downloaded from the ZOOM website (zoomcorp.com/help/l12next).https://zoomcorp.com/help/l12next
Block diagram
Using MIDI functions to control the L12next
The L12next can be controlled from a computer, smartphone or tablet using MIDI functions.
In addition, since the L12next can output MIDI signals with some operations, they can be recorded in a DAW, for example.
For information about connecting to a computer, smartphone or tablet, see Connecting computers, smartphones and tablets.
Functions that can be controlled
L12next functions have the following control change numbers and MIDI channel assignments.
| Control Change number | MIDI channel | Parameter | Reference | ||
|---|---|---|---|---|---|
| (Decimal) | (Hexadecimal) | ||||
| When “*” is shown for the MIDI channel of a parameter, all channels of the L12next can be controlled by changing the MIDI channel setting. See “MIDI channels assigned to the L12next channels” to check and set MIDI channels. | |||||
| 1 | 0x01 | * | COMP | Adjusting channel gain, using compression and reducing noise (low cut) | |
| 3 | 0x03 | * | USB 1-2, USB 3-4 | Inputting audio output from a computer, smartphone or tablet on channels 9/10 and 11/12 | |
| 8 | 0x08 | * | Channel selection buttons | Overdubbing section | |
| 10 | 0x0A | * | PHASE | Inverting channel polarity | |
| 12 | 0x0C | * | PAN | Adjusting channel panning | |
| 20 | 0x14 | * | EQ HIGH | Adjusting channel EQ | |
| 24 | 0x18 | * | EQ MID FREQ | ||
| 26 | 0x1A | * | EQ MID | ||
| 28 | 0x1C | * | EQ MID Q | ||
| 44 | 0x2C | * | EQ LOW | ||
| 46 | 0x2E | * | LOCUT | Adjusting channel gain, using compression and reducing noise (low cut) | |
| 48 | 0x30 | * | MUTE | Muting channels | |
| 50 | 0x32 | * | SOLO | Selecting specific channels for monitoring (solo) | |
| 52 | 0x34 | * | SEND EFX | Using internal effects | |
| 60 | 0x3C | * | FADER | Adjusting channel levels | |
| 62 | 0x3E | * | SEND | A | Adjusting the SEND A–E mixes |
| 64 | 0x40 | * | B | ||
| 66 | 0x42 | * | C | ||
| 68 | 0x44 | * | D | ||
| 70 | 0x46 | * | E | ||
| 78 | 0x4E | 1 | EFX TYPE | Using internal effects | |
| 5 | EFX TONE/TIME MSB | ||||
| 6 | EFX TONE/TIME LSB | ||||
| 13 | EFX DECAY/FEEDBACK MSB | ||||
| 14 | EFX DECAY/FEEDBACK LSB | ||||
| 80 | 0x50 | 5 | EFX MUTE | ||
| 9 | EFX SOLO | ||||
| 13 | EFX RETURN FADER | ||||
| 81 | 0x51 | 1 | EFX RETURN | A | Adjusting the internal effect return level |
| 5 | B | ||||
| 9 | C | ||||
| 13 | D | ||||
| 82 | 0x52 | 1 | E | ||
| 83 | 0x53 | 1 | MONITOR VOLUME | A | Making MONITOR OUT (A–D) jack settings |
| 2 | B | ||||
| 3 | C | ||||
| 4 | D | ||||
| 5 | E | Making MONITOR OUT (PHONES) jack settings | |||
| 84 | 0x54 | 10 | MASTER MUTE | Adjusting the overall volume | |
| 11 | MASTER FADER | Adjusting the overall volume | |||
| 12 | MASTER COMP | Using the master compressor | |||
| 85 | 0x55 | 16 | MASTER EQ ON | This function can only be adjusted from the L12next Control app. | |
| 86 | 0x56 | 10 | SCENE SAVE | Saving scenes | |
| 11 | SCENE RECALL | Recalling scenes | |||
| 12 | SCENE NUMBER | 1 | Using scene functions | ||
| 13 | 2 | ||||
| 14 | 3 | ||||
| 15 | 4 | ||||
| 16 | 5 | ||||
| 87 | 0x57 | 1 | 6 | ||
| 2 | 7 | ||||
| 3 | 8 | ||||
| 4 | 9 | ||||
| 5 | SCENE RESET | ||||
| 10 | RECORD BUTTON | Recording, Playing files, Mixing already recorded channels | |||
| 11 | PLAY BUTTON | ||||
| 12 | STOP BUTTON | ||||
| 13 | REWIND BUTTON | ||||
| 14 | FAST FORWARD BUTTON | ||||
| 15 | OVERDUB MODE | ||||
| 89 | 0x59 | 13 | SCENE NUMBER 10 | Using scene functions | |
| 14 | SCENE DELETE | Deleting scenes | |||
| 90 | 0x5A | * | GAIN | Adjusting channel gain, using compression and reducing noise (low cut) | |
| 92 | 0x5C | 1 | MASTER EQ 1 | ON | This function can only be adjusted from the L12next Control app. |
| 2 | TYPE | ||||
| 3 | FREQ | ||||
| 4 | Q | ||||
| 5 | GAIN | ||||
| 6 | MASTER EQ 2 | ON | |||
| 7 | TYPE | ||||
| 8 | FREQ | ||||
| 9 | Q | ||||
| 10 | GAIN | ||||
| 11 | MASTER EQ 3 | ON | |||
| 12 | TYPE | ||||
| 13 | FREQ | ||||
| 14 | Q | ||||
| 15 | GAIN | ||||
| 16 | MASTER EQ 4 | ON | |||
| 93 | 0x5D | 1 | TYPE | ||
| 2 | FREQ | ||||
| 3 | Q | ||||
| 4 | GAIN | ||||
| 96 | 0x60 | * | GAIN BOOST | Boosting gain | |
MIDI channels assigned to the L12next channels
| Channel | MIDI channel |
|---|---|
| 1 | 1 |
| 2 | 2 |
| 3 | 3 |
| 4 | 4 |
| 5 | 5 |
| 6 | 6 |
| 7 | 7 |
| 8 | 8 |
| 9/10 | 9 |
| 11/12 | 11 |
MIDI implementation chart
| Function | Transmitted | Received | Remarks | |
|---|---|---|---|---|
| Basic channel | When powered on | 1 – 16 | 1 – 16 | |
| Changed | 1 – 16 | 1 – 16 | ||
| Mode | When powered on | Mode 1 | Mode 1 | |
| Message | × | × | ||
| Altered | ************** | ************** | ||
| Note number | × | × | ||
| True Voice | × | × | ||
| Velocity | Note On | × | × | |
| Note Off | × | × | ||
| Aftertouch | Keys | × | × | |
| Channel | × | × | ||
| Pitch Bend | × | × | ||
| Control Change | 1, 3, 8, 10, 12 | ○ | ○ | |
| 20 – 21 | ○ | ○ | ||
| 24 – 28 | ○ | ○ | ||
| 44, 46, 48, 50, 52 | ○ | ○ | ||
| 60 – 62 | ○ | ○ | ||
| 64, 66, 68, 70, 78 | ○ | ○ | ||
| 80 – 86 | ○ | ○ | ||
| 88, 90 | ○ | ○ | ||
| 92 – 94 | ○ | ○ | ||
| 96 | ○ | ○ | ||
| Program Change | × | × | ||
| Settable range | × | × | ||
| System Exclusive | × | × | ||
| System Common | Song Position | × | × | |
| Song Select | × | × | ||
| Tune | × | × | ||
| System Real Time | Clock | × | × | |
| Command | × | × | ||
| Aux Messages | Local ON/OFF | × | × | |
| All Notes OFF | × | × | ||
| Active Sense | × | × | ||
| Reset | × | × | ||
| Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY | Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO | ○: Yes ×: No |
Specifications
| Input and output channels | Inputs | Mono (MIC/LINE) | 8 |
| Stereo (LINE) | 2 | ||
| Outputs | MASTER OUT | 1 | |
| MONITOR OUT | 5 | ||
| Inputs | Mono (MIC/LINE) | Type | XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) |
| Input gain | PAD off: +16 – +60 dB PAD on: −10 – +34 dB Hi-Z on: 0 – +44 dB (when gain boost off) | ||
| Input impedance | XLR: 4.6 kΩ or more TRS: 4.6 kΩ/1 MΩ (when Hi-Z on) | ||
| Maximum input level | PAD off: −2 dBu (at 0 dBFS) PAD on: +24 dBu (at 0 dBFS) | ||
| Phantom power | +48 V | ||
| Stereo (LINE) | Type | TS phone jacks (unbalanced) | |
| Maximum input level | +14 dBu | ||
| Outputs | MASTER OUT | Type | XLR jacks (balanced) |
| Maximum output level | +14.5 dBu | ||
| Output impedance | 200 Ω | ||
| MONITOR OUT | Type | Standard stereo phone jacks | |
| Maximum output level | 42 mW + 42 mW at 60 Ω | ||
| Output impedance | 55 Ω | ||
| Buses | MASTER | 1 | |
| MONITOR | 5 | ||
| SEND EFX | 1 | ||
| Channel strip | COMP | ||
| LOCUT | 40–600 Hz, 12 dB/OCT | ||
| EQ | HIGH: 10 kHz, ±15 dB, shelving MID: 100 Hz – 8 kHz, ±15 dB, peaking LOW: 100 Hz, ±15 dB, shelving | ||
| PHASE | |||
| Level meters | 8 segments | ||
| Send effects | 16 types | ||
| Recorder | Maximum simultaneous recording tracks | 14 | |
| Maximum simultaneous playback tracks | 12 | ||
| Recording formats | Individual tracks: 44.1/48/96 kHz, 16/24-bit, mono/stereo WAV Master tracks: 44.1/48/96 kHz, 16/24-bit or 32-bit float, mono/stereo WAV | ||
| Recording media | 4–32GB cards compatible with the SDHC specification (class 10 or higher) 64GB–1TB cards compatible with the SDXC specification (class 10 or higher) | ||
| Audio interface | Input and output channels | Recording: 14 channels Playback: 4 channels | |
| Sampling frequencies | 44.1/48/96 kHz | ||
| Bit depths | 24-bit, 32-bit float | ||
| Interface | USB 2.0 | ||
| Card reader | Class | Mass storage class USB 2.0 High Speed | |
| Sample rates | 44.1/48/96 kHz | ||
| Frequency response | 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz 96 kHz: −3.0 dB, 20 Hz – 40 kHz | ||
| Equivalent input noise | Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input | ||
| Display | 128×64 OLED | ||
| Power | AC adapter (ZOOM AD-19): DC 5V/1A | ||
| Power consumption | 16 W maximum | ||
| Dimensions | 445 mm (W) × 285 mm (D) × 73 mm (H) | ||
| Weight (main unit only) | 2.40 kg | ||
Note: 0 dBu = 0.775 Vrms
